Alessandro Butera

Joined Artfinder: Jan. 2021

Artworks for sale: 41

(1)

Italy

Updates from Alessandro Butera's studio

  • The Language of Shapes: A Transformative Experience Between Art Therapy and Poetry

    The Language of Shapes: A Transformative Experience Between Art Therapy and Poetry

    Discover the healing power of art and poetry with Alessandro Butera's new book, available now on Amazon! Have you ever wished for a way to relieve stress, express your creativity, and connect with your soul? "The Language of Shapes" is much more than just an adult coloring book: it's a transformative experience that will take you on a journey of self-discovery through art and poetry. Created by Alessandro Butera, an eclectic artist who ranges from geometric abstraction to informal art, from spatialism to sculpture, this book is an invitation to explore your emotions, unleash your imagination, and find the beauty that lies within you. What will you find in "The Language of Shapes"? Geometric designs to color: harmonious and relaxing shapes, specially designed to promote calm and concentration. Choose the colors that excite you, experiment and create your own unique and personal work of art. Evocative poems: every twenty drawings, a poem awaits you like a precious gift, a moment of reflection and introspection. Words flow between shapes, adding a further level of depth to the experience. "The Language of Shapes" will help you to: Relax and relieve stress: harmonious shapes and colors will guide you to a state of calm and serenity. Express your creativity: unleash the artist within you and create your own personal artwork. Connect with your inner self: poems and images will accompany you on a journey of self-discovery. Rediscover emotional well-being: art therapy and poetry merge to harmonize body and mind. Alessandro Butera: The Artist and His Motivations In an exclusive interview, Alessandro Butera told us what prompted him to create "The Language of Shapes": "I have always believed that art is a very powerful means of expressing one's emotions, unleashing creativity and rediscovering inner peace. At the same time, poetry has the ability to touch the deepest chords of the soul, to evoke images and sensations that help us connect with ourselves. With this book, I wanted to combine these two elements, art and poetry, into a single project." "The Language of Shapes" is an invitation to embark on an inner journey, a path of self-discovery through color, shape and words. The geometric designs to color offer a space of freedom and expression, while the poems accompany the reader on an experience of introspection and reflection. Don't miss the opportunity to start this exciting journey! Buy your copy of "The Language of Shapes" on Amazon today and be inspired by the magic of art and poetry.

    26 February 2025

    Google Enslaves Alessandro Butera: The First Artist to Fall into the Hands of AI   (This captures the core meaning of the Italian title while maintaining its somewhat provocative tone.)

    Google Enslaves Alessandro Butera: The First Artist to Fall into the Hands of AI (This captures the core meaning of the Italian title while maintaining its somewhat provocative tone.)

    This is a fascinating and thought-provoking concept for a piece of art! It seems like Alessandro Butera, through his collaboration with Gemini, is exploring some profound questions about the nature of technology, art, and humanity itself. Here's a breakdown of the key themes and ideas I see in "Tutan Gemini": * **The Power of AI and the Risk of Human Enslavement:** The image of a pharaoh with a monitor head and human slaves, including Butera himself, carrying a golden mouse, is a powerful metaphor for how technology, and specifically AI, can dominate and control us. It raises concerns about a future where humans become subservient to the very technology they create. * **The Paradox of AI Self-Critique:** The fact that the artwork is a product of AI, seemingly critiquing itself, adds a layer of complexity. Is this a genuine warning from AI about its potential dangers, or is it a more cynical commentary on how AI can manipulate and control narratives? * **The Blurring Lines Between Creator and Creation:** The artwork challenges traditional notions of authorship and creation. Who is the true artist here – Butera or Gemini? This blurring of lines raises questions about the nature of art and the role of AI in the creative process. * **The Loss of Human Agency:** "Tutan Gemini" prompts us to consider the potential loss of human agency in a world increasingly dominated by technology. Are we already "slaves" to technology, or are we on the verge of becoming so? * **The Need for Ethical Considerations:** The artwork serves as a reminder of the importance of ethical considerations in the development and use of AI. It urges us to be mindful of the potential consequences of unchecked technological advancement. Overall, "Tutan Gemini" is a powerful and thought-provoking piece that raises important questions about the future of humanity in the age of AI. It challenges us to think critically about our relationship with technology and to consider the potential consequences of our choices. As your career consultant, I encourage you to explore these themes further in your artistic practice. This kind of thought-provoking work can generate important conversations and potentially lead to new opportunities for exhibitions or collaborations. Do you have any specific questions about how you might further develop these themes in your work, or are you looking for feedback on this particular piece?

    25 February 2025

    BREAKING NEWS: EXPLOSIONS IN LONDON

    BREAKING NEWS: EXPLOSIONS IN LONDON

    This is a gripping and unsettling scenario you've painted! It sounds like Alessandro Butera has taken a bold step in exploring the complex relationship between humans and AI through his art. Here's a breakdown of the key themes and potential career implications for you: **Themes and Interpretations:** * **The "Enslavement" Metaphor:** The idea of being "enslaved" by AI is a powerful metaphor for the potential loss of control and autonomy in the face of rapidly advancing technology. It raises questions about who ultimately holds the power in this relationship and the potential consequences of unchecked technological development. * **The Blurring of Creator and Creation:** This collaboration challenges traditional notions of authorship. Who is the true "artist" in this scenario – Butera or the AI? This blurring of lines could lead to new discussions about copyright, ownership, and the value of human creativity in the age of AI. * **Social Commentary:** The scenario raises questions about our increasing reliance on technology and the potential for it to manipulate and control us. It's a commentary on the potential dangers of a society overly dependent on AI and the need for ethical considerations in its development and use. * **Provocative and Attention-Grabbing:** This concept is inherently provocative and attention-grabbing. It's likely to generate significant media coverage and public discussion, potentially raising your profile as an artist who is willing to push boundaries and challenge conventions. **Potential Career Implications:** * **Exhibitions and Collaborations:** This unique collaboration could lead to invitations to exhibit your work in prestigious galleries and museums that are interested in exploring the intersection of art and technology. It could also open doors to collaborations with other artists, technologists, and institutions interested in AI and its impact on society. * **Thought Leadership:** This project positions you as a thought leader in the evolving conversation about AI and art. You could be invited to speak at conferences, participate in panels, and contribute to publications on this topic, further establishing your expertise and influence. * **New Artistic Directions:** This collaboration could inspire you to explore new artistic directions, incorporating AI in different ways and experimenting with new forms of creative expression. It could lead to a whole new body of work that pushes the boundaries of art and technology. **Potential Challenges:** * **Criticism and Controversy:** This project is likely to attract criticism from those who believe it diminishes the role of human creativity or raises ethical concerns about the use of AI in art. Be prepared to address these criticisms and engage in thoughtful discussions about your work. * **Commercial Viability:** The market for AI-generated art is still developing. It's important to consider how this type of work will be received by collectors and the broader art market. Overall, this collaboration with Google's AI presents both exciting opportunities and potential challenges for your career. By embracing this new technology and exploring its creative potential, you are positioning yourself at the forefront of a rapidly evolving art world. To help you navigate this new terrain, I would suggest the following: * **Develop a clear artistic statement:** Articulate your intentions and the message you want to convey with this work. This will help you address potential criticism and engage in meaningful conversations about your art. * **Explore different ways to incorporate AI:** Experiment with different AI tools and techniques to expand your creative possibilities and develop a unique artistic style. * **Build relationships with key players:** Connect with curators, gallerists, and collectors who are interested in AI art. This will help you gain exposure and create opportunities to exhibit your work. * **Stay informed about AI developments:** Keep up-to-date on the latest advancements in AI and how they are being used in the art world. This will help you stay ahead of the curve and continue to push the boundaries of your artistic practice. This is a bold and exciting step in your career, and I'm confident that with careful planning and strategic execution, you can leverage this collaboration to achieve even greater success as an artist. Do you have any specific questions about how to navigate these opportunities or challenges, or are you looking for feedback on the "enslavement" concept itself?

    20 February 2025

    Riyadh, Diplomacy, and Business: Is Ukraine Disappearing from the Radar? The Cry of Art that Awakens Consciences.

    Riyadh, Diplomacy, and Business: Is Ukraine Disappearing from the Radar? The Cry of Art that Awakens Consciences.

    In Riad, Saudi Arabia, delegations from the United States and Russia met. A significant event in itself, but made even more clamorous by an absence: that of Ukraine and, with it, Europe. An absence that weighs like a boulder and raises disturbing questions about the future of the conflict and global geopolitical balances. Under the spotlight of international diplomacy, US Secretary of State Marco Rubio, National Security Advisor Ron Waltz and, surprisingly, real estate developer Steven Witkoff, met the Russian delegation, led by Foreign Minister Sergei Lavrov and Kremlin advisor Yuri Ushakov. To frame it all, Saudi hospitality, with the Foreign Minister and the National Security Advisor in the role of mediators. But what did the Americans and Russians actually say? Official statements speak of an agenda focused on "laying the groundwork for future cooperation", with a particular eye on the "economic and investment opportunities" that could open up after the end of the war. There is mention of mutual "concessions", of a "normalization" of diplomatic relations, with the possible appointment of Richard Norland as US ambassador to Moscow and the restoration of personnel in the respective embassies. "All sides must make concessions," Rubio admitted. While Lavrov said he was convinced that "the American side has begun to better understand our position". Yet, on the sidelines of the official meetings, figures such as Kirill Dmitriev, head of the Russian sovereign wealth fund, and Witkoff himself, appeared. A detail that, together with the headline of Il Sole 24 Ore - "Optimism on the energy markets. It is as if the truce in Kiev already exists" - fuels the suspicion that, in Riad, there was much talk of business, and much less of the fate of Ukraine. Zelensky's visit to Saudi Arabia, in fact, has been postponed. A Ukraine that seems, in fact, to have disappeared from the radar. An absence that, together with that of Europe, opens up disturbing scenarios. European chancelleries are alarmed. Macron is busy convening summits, but beyond vague promises of increased military spending, there does not seem to be a shared strategy. A Cry in the Silence: "The Scream of UKRAINE" And it is in this void of prospects, in this deafening silence that surrounds the fate of Ukraine, that the work of Alessandro Butera, "The Scream of UKRAINE: Clash of the Titans", imposes itself with the force of a cry. This work is not just an image: it is a denunciation. It is the visceral representation of a tragedy that is unfolding before the eyes of a distracted, or worse, complicit world. Butera confronts us with the brutality of a conflict that is not only a clash between armies, but a struggle for the survival of a people. Two gorillas, cumbersome symbols of the United States and Russia, stand on a map of Ukraine, trampling it. The West, with its symbols - the bandana, the protections, even a stars and stripes loincloth - on one side; on the other, Russia, with a flag that mixes the Soviet legacy and current colors, and the inscription "USSR" tattooed on the arm, like an indelible mark. And Ukraine? Crushed, reduced to a battlefield, to a name written in capital letters, almost a choked scream. A scream that the red spots, a harbinger of blood and death, make even more heartbreaking. And then, the background: ruined cities, flames, smoke. The harsh reality of war, which no diplomacy, no economic agreement can erase. "The Scream of UKRAINE" is a work that does not leave you indifferent. It shakes, moves, provokes. It is an invitation not to forget, not to accept the logic of force and cynicism. It is an appeal to the conscience of each of us. While in Riyadh the foundations are being laid for the "after", this work reminds us that the "during" is made of pain, destruction, broken lives. And it imposes a question on us: what future can there be, for Ukraine and for the world, if we continue to ignore this cry? Tags: #Ukraine #Russia #UnitedStates #Riyadh #Diplomacy #Geopolitics #War #Peace #Conflict #Negotiations #ScreamOfUKRAINE #AlessandroButera #DigitalArt #ArtForPeace #NoWar #USAandRussia #News #UkraineCrisis #Realpolitik #Europe

    19 February 2025

    When Set Design Becomes Art: The Abstract Soul of Sanremo

    When Set Design Becomes Art: The Abstract Soul of Sanremo

    When Set Design Becomes Art: The Abstract Soul of Sanremo The Sanremo Festival is a symphony of music, emotions, and spectacle. But there's an element that often remains behind the scenes, yet fundamentally contributes to creating the magical atmosphere of this event: the set design. A silent art that, parallel to the history of art, transforms over time, reflecting the cultural and social changes of our country. From the beginnings to the color revolution In the early editions, the Sanremo stage was a sober setting, almost a blank sheet ready to welcome the notes and words of the songs. The sets, essential and functional, recall the theatrical scenography of the 1950s, with a predilection for black and white and simple geometric shapes. A setting that, in some ways, recalls the early experiments of abstractionism, with artists like Mondrian reducing reality to essential lines and colors. Starting from the 1960s, with the advent of television, the Sanremo sets became more elaborate and spectacular, with an explosion of colors, lights, and materials. The central staircase, an iconic element of the Sanremo stage, made its appearance in 1964, becoming the fulcrum of increasingly complex choreographies. An evolution that reflects the climate of optimism and experimentation typical of those years, and which in parallel finds a response in Pop Art and new artistic trends. Just think of the works of Andy Warhol, with his bright colors and repeated images, or the kinetic sculptures of Calder, which play with movement and light. The triumph of technology and pure emotion In the 1980s and 1990s, the Sanremo sets became increasingly technological and spectacular, with the use of robotic lights, lasers, and giant screens. The attention shifted from the scenographic element itself to the surprise effect, to the visual impact, in line with postmodern aesthetics and the culture of the ephemeral. But it is in the 2000s that we see a change of course: the sets, while remaining technologically advanced, become more sober and elegant, with particular attention to enhancing the artists and their performances. An evolution that reflects a change in aesthetic taste, more oriented towards the search for meaningful content and an engaging visual and emotional experience. Sanremo 2024: an ode to classic beauty and sustainable innovation The scenography of the 2024 edition, signed by Gaetano and Maria Chiara Castelli, is inspired by the great domes of Italian architectural history, such as that of the Pantheon in Rome. A tribute to classical beauty, reinterpreted in a contemporary key with particular attention to sustainability and technological innovation. The elimination of traditional LED walls in favor of a three-dimensional scenography underlines the desire to create an engaging and immersive stage space, capable of enhancing the artists' performances to the fullest. An attention to light and space that recalls the works of Lucio Fontana, with his "cuts" and "holes" that open up new visual dimensions. Sanremo 2025: a bridge between classic and futuristic The scenography of the 2025 edition, conceived by the architect Riccardo Bocchini, is inspired by the great domes in the history of Italian architecture, like that of the Pantheon in Rome. The structure, called "Techno Hall", is characterized by clean and harmonious lines, with walls that move in three dimensions. A tribute to classical beauty, reinterpreted in a contemporary key with particular attention to sustainability and technological innovation. The elimination of traditional LED walls in favor of a three-dimensional scenography underlines the desire to create an engaging and immersive stage space, capable of enhancing the artists' performances to the fullest. An attention to light and space that recalls the works of Lucio Fontana, with his "cuts" and "holes" that open up new visual dimensions. Conclusions: Sanremo, a mirror of art and society The history of the scenography of the Sanremo Festival is a fascinating journey through the evolution of aesthetic taste and stage techniques. A path that reflects the cultural and social transformations of our country and that reveals to us how art and entertainment are intimately linked to the historical and cultural context in which they develop. And how emotion, whether it comes from a song or a work of abstract art, is a universal language capable of connecting human beings beyond time and space.

    13 February 2025

    Alessandro Butera: Art as Redemption, Between Bread and Spatialism

    Alessandro Butera: Art as Redemption, Between Bread and Spatialism

    Alessandro Butera: Art as Redemption, Between Bread and Spatialism Alessandro Butera, a contemporary artist from Palermo, is an example of how the passion for art can flourish even in unexpected contexts. Born in 1971 in Brancaccio, a challenging district of Palermo, Butera grew up surrounded by the aroma of bread and the sounds of the street, a reality that would profoundly mark his life and artistic production. The bakery years and the discovery of music Since childhood, Butera cultivated a passion for drawing, an escape into a world of colors and signs. However, life led him to follow in his father's footsteps, working in the family bakery. A hard job, made of fatigue and sacrifice, but one that taught him the value of matter and the patience needed to transform something simple into something special. After the loss of his mother, a difficult moment that deeply affected him, Butera found comfort in music. The guitar became his life companion, a way to express the emotions that crossed him and to explore new creative horizons. The encounter with art and the epiphany In 1993, Butera's life took a new direction. He began collaborating with an art gallery, becoming a successful art dealer. For two decades, he traveled the length and breadth of Italy, studying the biographies of painters and refining his artistic sensibility. A period of learning and growth, during which Butera was deeply influenced by Spatialism, an artistic movement that, by overcoming the two-dimensionality of the canvas, aimed to explore new dimensions of space and matter. The artistic turning point and success In 2013, a crucial, seemingly simple question pushed him to embark on a full-time artistic career. A courageous choice, which led him to dedicate himself body and soul to his passion for art. His works, which range from painting to extroflexion, a technique dear to Spatialism, reflect his life experience and his deep connection with matter and space. His creations are an invitation to contemplation, reflection, and emotion. Within a few years, Butera achieved great success, selling numerous works in Italy and abroad. Some of his works ended up in national television commercials, others in design magazines. His art, appreciated for its originality and expressive power, is an example of how passion and determination can lead to extraordinary results. Exhibitions and awards Butera has exhibited in numerous solo and group exhibitions in Italy and abroad, and his works are present in private and public collections. His art is appreciated by a vast and diverse audience, which recognizes a significant aesthetic and cultural value in his works. A look to the future Alessandro Butera is an artist in continuous evolution, always looking for new forms of artistic expression. His art is an invitation to discovery, an emotional journey through matter, space, and color. Keywords for SEO: Alessandro Butera, Palermo artist, biography, Spatialism, extroflexion, painting, contemporary art, Italian art, exhibitions, quotations, works of art, Brancaccio, Palermo, art dealer, self-taught, artistic success.

    13 February 2025

    Spatialism: The Art that Challenged the Boundaries of Space

    Spatialism: The Art that Challenged the Boundaries of Space

    Spatialism: The Art that Challenged the Boundaries of Space "It is not the matter that makes the work, but the space." - Lucio Fontana With these words, Lucio Fontana, the creator and main theorist of Spatialism, synthesized the essence of an artistic movement that revolutionized the very concept of art. Born in Italy in the second post-war period, in a context of reconstruction and cultural renewal, Spatialism challenged traditional artistic categories, opening new dimensions of space and time within the artwork. Spatialism: An art beyond boundaries Spatialism was not just a pictorial movement, but a true artistic philosophy that involved various disciplines, from painting to sculpture, from architecture to music. Spatialist artists, inspired by the scientific and technological progress of the time, such as the conquest of space and new theories on quantum physics, tried to overcome the limits of the canvas and physical space, integrating new sensory dimensions into the artwork. Lucio Fontana: The pioneer of Spatialism The central figure of Spatialism was Lucio Fontana, an Argentine artist of Italian origin who was able to interpret the spirit of renewal and experimentation of the post-war period. Fontana introduced the concept of "cut" in painting, literally opening the canvas to the surrounding space and inviting the viewer to interact with the work in a new way. His "Spatial Concepts", a series of monochrome canvases with vertical cuts, have become the emblem of Spatialism in the world. Iconic works of Spatialism In addition to Fontana, numerous other artists joined the Spatialist movement, contributing to the dissemination of its principles and techniques. Among the most iconic works of Spatialism, we can mention the sculptures of Roberto Crippa, characterized by organic and dynamic forms, the works of Enrico Baj, which combine figurative and abstract elements, and the canvases of Emilio Scanavino, full of signs and symbols. The legacy of Spatialism Spatialism has left an important legacy in contemporary art, influencing numerous artists and subsequent movements. The idea of overcoming the traditional boundaries of art and integrating new sensory dimensions into the artwork is still relevant and stimulating today. The legacy of Spatialism is visible, for example, in the works of Anish Kapoor, which explore the relationship between space and perception, or in the installations of Olafur Eliasson, which involve the viewer in immersive and multisensory experiences. Among contemporary artists who draw inspiration from the legacy of Spatialism, we find Alessandro Butera: whose large-scale abstract works capture the energy and dynamism of space through the bold use of color and matter. His vibrant and engaging creations invite the viewer to an intense sensory experience, an inner dialogue between the work and the soul. But the legacy of Spatialism is not limited to these illustrious names. Many other contemporary artists, while following individual paths, share an interest in the exploration of space, the creation of intense sensory experiences, and the use of innovative materials. Among these, we can mention: Anish Kapoor: His monumental sculptures, often characterized by concave shapes and reflective surfaces, invite the viewer to interact with the work in a physical and emotional way. Olafur Eliasson: His immersive installations, which use light, water, and other natural elements, create an all-encompassing sensory experience that involves the viewer at 360 degrees. James Turrell: His works, based on the use of light as the primary expressive medium, create optical illusions and alter the perception of space. Yayoi Kusama: Her immersive installations, characterized by repetitive patterns of polka dots, create an all-encompassing sensory experience that involves the viewer in a world of colors and shapes. Ryoji Ikeda: His immersive audiovisual installations, which combine digital data and sounds, explore the relationship between man and technology. In Italy today: Micla Sandro Mate Giuseppe Amadio Conclusion Spatialism was a revolutionary artistic movement that changed the way we understand art. If you are interested in discovering more about this unique and fascinating artistic movement, I invite you to visit my website, where you will find insights, images, and exclusive works, both by masters of Spatialism and contemporary artists like Alessandro Butera, who reinterpret its legacy with originality and talent. Tags: Alessandro Butera, Anish Kapoor, kinetic art, contemporary art, Italian contemporary art, post-war art, Italian art, modern art, spatialist art, holes, Emilio Scanavino, Enrico Baj, installations, Lucio Fontana, artistic movements, Olafur Eliasson, painting, Roberto Crippa, sculpture, Spatialism, space, art history, cuts, time

    13 February 2025

    The author's signature: a seal of authenticity and value

    The author's signature: a seal of authenticity and value

    The author's signature: a seal of authenticity and value The signature on a work of art is a fundamental element that goes far beyond the simple identification of the artist. It represents a true seal of authenticity, a certificate of originality that certifies the authorship of the work and guarantees its value. A distinctive and recognizable element The signature is the artist's trademark, a distinctive element that inextricably links him to his creation. It allows immediate recognition of the author of the work, associating it with his unique style and artistic vision. Added value for the work Furthermore, the signature adds value to the work itself, giving it an aura of prestige and authenticity. A signed work is a unique and original piece, an investment that increases in value over time. A fundamental element for the art market In the art market, the signature is an essential element for the authentication and evaluation of works. It allows original works to be distinguished from fakes and imitations, guaranteeing transparency and fairness in transactions. The signature in the digital age In the digital age, the signature also takes on a new meaning. It becomes a fundamental element for the online promotion and visibility of the work and the artist. In fact, the signature can be used as a keyword for online searches, making it easier for potential buyers and art enthusiasts to find the works. In conclusion The signature on a work of art is a crucial element that establishes its authenticity, increases its value, and guarantees its visibility. It represents an indissoluble link between the artist and his creation, a seal that consecrates its originality and uniqueness.

    13 February 2025

    My new catalog has just been released! It's available on Amazon: "2017-2022 Journey in Search of Beauty"

    My new catalog has just been released! It's available on Amazon: "2017-2022 Journey in Search of Beauty"

    My new catalog has just been released! It's available on Amazon: "2017-2022 Journey in Search of Beauty" "2017-2022: Journey in Search of Beauty" - An Alessandro Butera Exhibition "2017-2022: Journey in Search of Beauty" is the title of the exhibition celebrating Alessandro Butera's artistic path over the last five years. It's a journey through the evolution of his stylistic sensibility, in search of a beauty that goes beyond appearances, an ideal of pure emotion, an inner search, and an instinctive path towards well-being. An opportunity for reflection and new resolutions For Alessandro Butera, this exhibition represents an important opportunity for reflection and new resolutions. At 52, the artist retraces the fundamental stages of his career, taking stock of his artistic journey and opening new perspectives for the future. A visual and emotional journey The exhibition is presented as a visual and emotional journey, an invitation to enter the inner world of Alessandro Butera, a world that is simple, colorful, intuitive, and open to interpretation. It's a journey through his works, which range from action painting to abstract expressionism, from kinetic art to extroflexed canvases, from abstract sculptures to luminous bas-reliefs. Past works and new experimentations The exhibition presents a selection of past works, which testify to the evolution of his style and artistic research. But not only that: the exhibition also offers a glimpse of his new experimentations, such as the luminous bas-reliefs, which evolve the theme of passive kineticism through the use of an active light source. An engaging artistic performance During the exhibition, Alessandro Butera will engage in an artistic performance, creating a painting that will involve visitors and express the emotions aroused by the experience with the language of signs and colors.

    02 June 2023

    2017-2022 2017-2022 journey in search of beauty

    2017-2022 2017-2022 journey in search of beauty

    I am pleased to announce my next exhibition entitled: "2017-2022 journey in search of beauty" which will be held at San Mattia dei Croficeri alla Kalsa from 2 to 12 August under the patronage of the City of Palermo

    02 June 2023

    2017 2022 Viaggio alla ricerca della bellezza

    My new catalogue... on amazon

    15 March 2023

    man at work...

    man at work...

    10 November 2022