Using almost all shades of blue, the artist from subrealism represents what could be a labyrinth.
With paths that you don't know where they lead and stairs that you can't see if they go up or down.
Suspended both, stairs and paths, by their corresponding columns that are not appreciated where they rest.
Just a few touches of carmin red and white.
Paths that cross and stairs that go up and disappear.
There is no origin or destination.
They are only united by the same color.
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If you are interested in this work, you can ask the artist to send new photographs about it, without any agreement.
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Usando casi todos los tonos de azul, el artista desde el subrealismo representa lo que podria ser un laberinto.
Con caminos que no se sabe a donde conducen y escaleras que no se ve si suben o bajan.
Suspendidos ambos, escaleras y caminos, por sus correspondientes columnas que no se aprecia donde se apoyan.
Apenas unos toques de rojo carmin y de blanco.
Caminos que se cruzan y escaleras que suben y desaparecen.
No hay un origen ni un destino.
Solo se unen por un mismo color.
Oleo sobre bastidor de madera.
£1,003.66
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Using almost all shades of blue, the artist from subrealism represents what could be a labyrinth.
With paths that you don't know where they lead and stairs that you can't see if they go up or down.
Suspended both, stairs and paths, by their corresponding columns that are not appreciated where they rest.
Just a few touches of carmin red and white.
Paths that cross and stairs that go up and disappear.
There is no origin or destination.
They are only united by the same color.
-----------------------------------------------
If you are interested in this work, you can ask the artist to send new photographs about it, without any agreement.
--------------------------------------------
Usando casi todos los tonos de azul, el artista desde el subrealismo representa lo que podria ser un laberinto.
Con caminos que no se sabe a donde conducen y escaleras que no se ve si suben o bajan.
Suspendidos ambos, escaleras y caminos, por sus correspondientes columnas que no se aprecia donde se apoyan.
Apenas unos toques de rojo carmin y de blanco.
Caminos que se cruzan y escaleras que suben y desaparecen.
No hay un origen ni un destino.
Solo se unen por un mismo color.
Oleo sobre bastidor de madera.
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