Artwork description:

Experience the elusive transition of seasons with 'The Very Peak of Spring,' a fine art photography print by Inna Etuvgi, alias My Psychedelic Garden. This unique piece steps away from the artist's typical macro photography to embrace a wider scale, capturing the fleeting zenith of spring's bloom. Dominating this colorful tableau is the striking Fritillaria persica, its tall, black bells standing as solemn reminders of the transient nature of life. They ring softly in the visual winds, marking the inevitable passing of spring's vibrant display.

The photograph is imbued with a complex interplay of celebration and melancholy. It captures the beauty of ending and the promise of new beginnings as summer approaches. Printed on archival quality fine art paper with pigment inks, this limited edition photo print preserves the fleeting moments with enduring clarity and depth. Each piece is signed, numbered, and comes with a Certificate of Authenticity, making it an exceptional gift for collectors or garden enthusiasts.

Ideal for adding a thoughtful, nature-inspired accent to any space, from modern homes to tranquil wellness spaces, this print not only beautifies but also invites contemplation of life's ever-changing beauty.


PRINT INFORMATION:

Gicleè print on Canson Fine Art paper + COA
Installed in Ph-neutral passepartout (avocado skin colour) 30x40 cm + backing, ready for framing
Image size 20x30 cm
Limited edition 25

Signed, numbered and printed by the author



ABOUT THE AUTHOR:

Inna Etuvgi, hailing from Russia's Arctic shores, brings her technical background to light as a Swedish art photographer. Her artistic journey began in 2020, and in 2022, she gained recognition as a finalist in the Arte Laguna Prize 16. In 2023, she received an honour from the Swedish Arts Grants Committee. Etuvgi’s works are featured in “Photography in the Visual Culture” 22/23 book.

Navigating life with Aphantasia, Inna's mind doesn't visualise, but it pulsates with vivid concepts, emotions, and sensations. She uses her camera not merely to explore the world but to externalise her unique mental landscapes, making them visible.

Art critic Tabish Khan says about Inna’s art: “her work is about transporting us to other worlds - both real and imaginary, but always in harmony with nature. She may have a mind blind to visualisation, but she has eyes and a camera that capture the beauty in the worlds that the rest of us often overlook and take for granted.”

Materials used:

fine art paper, archival pigment inks, Ph-neutral passepartout

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