This painting is reminiscent of a tangled forest with the beautiful colours of lush green when the glade is in full leaf. The painting forms a tranquil arch where the trees almost touch and light from the distance contrasts with shadows beneath a vibrant forest canopy. The blend of green and amber tones reflects depth and mystery, crafting an emotional landscape that invites the observer to step into a world where there is narrative and tranquillity, the painting will brighten any space with beautiful calming colour.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on a deep edge canvas that does not need a frame. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife, harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies on the intersection between abstraction and realism. The painting continues round the sides, it is signed on the side and is ready to hang.
Acrylic Paints on deep edge canvas
28 Artist Reviews
£525
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This painting is reminiscent of a tangled forest with the beautiful colours of lush green when the glade is in full leaf. The painting forms a tranquil arch where the trees almost touch and light from the distance contrasts with shadows beneath a vibrant forest canopy. The blend of green and amber tones reflects depth and mystery, crafting an emotional landscape that invites the observer to step into a world where there is narrative and tranquillity, the painting will brighten any space with beautiful calming colour.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on a deep edge canvas that does not need a frame. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife, harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies on the intersection between abstraction and realism. The painting continues round the sides, it is signed on the side and is ready to hang.
Acrylic Paints on deep edge canvas
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