Original artwork description:

From the series "The time of the Absurd".The technique of a classical (oil on canvas)
The time of kings, the time of imitations, the time of great absurdity. This picture has a special meaning for me, because I consider it one of my most successful creative results.
My paintings do not match the "color of the wall". The choice of style depends on what goal the artist pursues and what tasks he sets for himself throughout his creative path. The creative process, and the logical result of this process, is the revelation of the master, this is what departs from his heart.
They force you to think a little. The concept is very simple and complex at the same time. Nobody wants to strain themselves very much with unnecessary physical actions. My paintings are complex in their concept, but if they make you think (as my collectors admit it is), and not just admire only a color or a spot, then this is already a success for me.
My paintings do not match the "color of the walls". In my paintings-parables there is a personal thing, not like any other - this is symbolism. The artist, like no one else, perceives and feels the world through his own prism. I am not the only one in this direction. Therefore, my style can be attributed to "symbolic conceptualism."
My paintings do not match the "color of the walls", but they have every right to be on it, but in the open space of this wall, on its central part. I assure you, you will not get bored with them, because you will want to buy more and more ... Carrying out: One little seven-month-old boy barely kept on his fragile legs, holding on to the rail of a baby cradle, and emotionally displayed abstract spots on the wall that are understandable only for him a friend of an uncomplicated color (ocher-golden). This was his first pictorially - monumental painting on the wall. That boy was me.
This picture is now in Munich.

Materials used:

oil on canvas

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