From the series “Virtual model”, oil and pencil on paper, 40 x 40 cm, 2015.
I like to create imaginary worlds. Using the modeling software I invent virtual simplified realities, probably the result of travel memories and past experiences. I choose the types of buildings, I place them on a fictitious ground, check the colors to the various parts, the lights, the elements of the landscape. And then I choose a point of view and portray this place of fantasy. The traditional landscape painting has to deal with the atmospheric variables, with the mutability of natural light. Here, on the contrary, not only everything is static, but I can change the various elements at will: add or remove pieces, move something, try the effects of shadows depending on the movement of the lights. But it is a small difference, and also the difference between "real" reality and virtual reality is now small: it has become part of our daily lives, changed our way perceiving, somehow has itself become real.
In most of my paintings, both on paper or on canvas, usually my work proceeds with the sedimentation of several layers of pencil drawing or chiaroscuro and oil colors. Often the pencil drawing is repeated over the paint and then again another layer of oil color partially covers it. The final step is always a protecting transparent vernish.
oil on paper
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From the series “Virtual model”, oil and pencil on paper, 40 x 40 cm, 2015.
I like to create imaginary worlds. Using the modeling software I invent virtual simplified realities, probably the result of travel memories and past experiences. I choose the types of buildings, I place them on a fictitious ground, check the colors to the various parts, the lights, the elements of the landscape. And then I choose a point of view and portray this place of fantasy. The traditional landscape painting has to deal with the atmospheric variables, with the mutability of natural light. Here, on the contrary, not only everything is static, but I can change the various elements at will: add or remove pieces, move something, try the effects of shadows depending on the movement of the lights. But it is a small difference, and also the difference between "real" reality and virtual reality is now small: it has become part of our daily lives, changed our way perceiving, somehow has itself become real.
In most of my paintings, both on paper or on canvas, usually my work proceeds with the sedimentation of several layers of pencil drawing or chiaroscuro and oil colors. Often the pencil drawing is repeated over the paint and then again another layer of oil color partially covers it. The final step is always a protecting transparent vernish.
oil on paper
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