Artwork description:

Shot July 2016 in remote Lancashire woodland, late-afternoon sunlight illuminating the trees and leaves, dappling the ground and casting lengthening shadows. Beautiful, enchanting nature in its purest and simplest forms.

This is print 1 of 25. Brand new and exclusive to Artfinder. Limited edition of 25 prints across all sizes and finishes (plus two 24x18in artist's proofs). Each print is individually hand-signed and numbered.

Unmounted prints of this piece are available in 12x9in (£65), 16x12in (£90), 20x15in (£110), 24x18in (£135). Also available as an 16x12in gallery-wrap canvas (£150), 16x12in aluminium-mounted (£175), and 24x18in aluminium-mounted (£275).

Please contact me to request size or finish options not already in my store. Or if you don't see the size and/or finish you want, please get in touch...other options may be available.

Unmounted prints come on Hahnemühle FineArt Pearl 285 g/m² paper (or equivalent as appropriate), printed with Epson Ultrachrome K3 pigment inks for true museum quality and colourfastness certified for 100 years. These are absolutely the finest quality prints to be found, used by professional photographers when only the best will do, and loved by art collectors for their stunning detail in highlight and shadow as well as depth of tone. All prints come with a wide border for easy mounting and framing.

Gallery wrap canvas prints are produced using the same Epson K3 inks as my paper prints, on heavyweight 100% cotton canvas, to create pieces with richness and luminosity along with a wonderfully tactile texture. They are stretched onto a frame made from sustainable wood, reinforced for stability and fitted with robust metal fixings for easy hanging

Aluminium mounting is the ultimate ready-to-hang enhancement to your home decor, a spectacular image and a sleek and modern mounting system which creates a stunning piece of gallery standard artwork. The photograph is professionally lab-printed onto Fuji Crystal Archive DPII paper using a traditional photo-chemical process, then mounted and sealed on a 3 layer aluminium substrate (for superb stability and warp-resistance). Finally, a UV-protective coating is applied to protect the print. Wall-fixings are pre-fitted, so the piece is ready to hang straight away.

Please be aware that quality of this kind takes a little time. Turnaround times vary from 7 business days for unmounted prints to 10 business days on average for canvas and aluminium mounting, after which I take delivery of the work for inspection before shipping to you. Guaranteed to be worth the wait!

In-context images simulated and for illustration purposes only.

Materials used:

Hahnemühle FineArt Pearl 285 g/m² paper, printed with Epson Ultrachrome K3 pigment inks

Tags:
#landscape #nature #green #trees #forest #woods #leaves #hills #england #rural #shadows #hiking #solitude #english #dappled light #lancashire #dappled sunlight #lush #northern england #rambling 

The Girl Was Never There - 1/25 - 24x18in Unmounted (2016) Photograph
by Justice Hyde

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£135

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Artwork description
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Shot July 2016 in remote Lancashire woodland, late-afternoon sunlight illuminating the trees and leaves, dappling the ground and casting lengthening shadows. Beautiful, enchanting nature in its purest and simplest forms.

This is print 1 of 25. Brand new and exclusive to Artfinder. Limited edition of 25 prints across all sizes and finishes (plus two 24x18in artist's proofs). Each print is individually hand-signed and numbered.

Unmounted prints of this piece are available in 12x9in (£65), 16x12in (£90), 20x15in (£110), 24x18in (£135). Also available as an 16x12in gallery-wrap canvas (£150), 16x12in aluminium-mounted (£175), and 24x18in aluminium-mounted (£275).

Please contact me to request size or finish options not already in my store. Or if you don't see the size and/or finish you want, please get in touch...other options may be available.

Unmounted prints come on Hahnemühle FineArt Pearl 285 g/m² paper (or equivalent as appropriate), printed with Epson Ultrachrome K3 pigment inks for true museum quality and colourfastness certified for 100 years. These are absolutely the finest quality prints to be found, used by professional photographers when only the best will do, and loved by art collectors for their stunning detail in highlight and shadow as well as depth of tone. All prints come with a wide border for easy mounting and framing.

Gallery wrap canvas prints are produced using the same Epson K3 inks as my paper prints, on heavyweight 100% cotton canvas, to create pieces with richness and luminosity along with a wonderfully tactile texture. They are stretched onto a frame made from sustainable wood, reinforced for stability and fitted with robust metal fixings for easy hanging

Aluminium mounting is the ultimate ready-to-hang enhancement to your home decor, a spectacular image and a sleek and modern mounting system which creates a stunning piece of gallery standard artwork. The photograph is professionally lab-printed onto Fuji Crystal Archive DPII paper using a traditional photo-chemical process, then mounted and sealed on a 3 layer aluminium substrate (for superb stability and warp-resistance). Finally, a UV-protective coating is applied to protect the print. Wall-fixings are pre-fitted, so the piece is ready to hang straight away.

Please be aware that quality of this kind takes a little time. Turnaround times vary from 7 business days for unmounted prints to 10 business days on average for canvas and aluminium mounting, after which I take delivery of the work for inspection before shipping to you. Guaranteed to be worth the wait!

In-context images simulated and for illustration purposes only.

Materials used:

Hahnemühle FineArt Pearl 285 g/m² paper, printed with Epson Ultrachrome K3 pigment inks

Tags:
#landscape #nature #green #trees #forest #woods #leaves #hills #england #rural #shadows #hiking #solitude #english #dappled light #lancashire #dappled sunlight #lush #northern england #rambling 
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Justice Hyde

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Location United Kingdom

About
Justice Hyde is a photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and... Read more

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