The Financial Times nude 2 (Newspaper art).
Urban Pop art in your own home by cult artist Sly.
These paintings are “painted” solely from pieces of newspaper using no paint at all, and the effect is extraordinary. Additionally, the edges are wrapped with newspaper, so no frame is required.
Juan Sly is likely the biggest seller of original artwork in the UK. An artist exhibiting in spray stencils, newspaper and oils, he has exhibited at the Saatchi (a proper gallery with pillars and everything!) alongside the likes of Banksy, Terry O'Neil, Tracy Emin and Vic Reeves, and has permanent collections in Ireland, Detroit and England, alongside Damien Hirst and some other artists you might have heard of, plus private collections around the globe. His works rock from humour to anti-war, sex to surreal. He is particularly fond of the stencil medium as it allows him to respond quickly to events and ideas and gives his works a gritty, illegal look. The stencils naturally allow the works to be resprayed, and consequently become affordable and disposable. He likes the fact that people can buy art which they like, and not to show off how much they can afford. You can find them in bedsits, legal offices in the Temple or stuck to a fence in Bristol.
Spiel by Steeve.
Financial Times and The Daily Telegraph.
386 Artist Reviews
£199
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The Financial Times nude 2 (Newspaper art).
Urban Pop art in your own home by cult artist Sly.
These paintings are “painted” solely from pieces of newspaper using no paint at all, and the effect is extraordinary. Additionally, the edges are wrapped with newspaper, so no frame is required.
Juan Sly is likely the biggest seller of original artwork in the UK. An artist exhibiting in spray stencils, newspaper and oils, he has exhibited at the Saatchi (a proper gallery with pillars and everything!) alongside the likes of Banksy, Terry O'Neil, Tracy Emin and Vic Reeves, and has permanent collections in Ireland, Detroit and England, alongside Damien Hirst and some other artists you might have heard of, plus private collections around the globe. His works rock from humour to anti-war, sex to surreal. He is particularly fond of the stencil medium as it allows him to respond quickly to events and ideas and gives his works a gritty, illegal look. The stencils naturally allow the works to be resprayed, and consequently become affordable and disposable. He likes the fact that people can buy art which they like, and not to show off how much they can afford. You can find them in bedsits, legal offices in the Temple or stuck to a fence in Bristol.
Spiel by Steeve.
Financial Times and The Daily Telegraph.
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