Artwork description:

I Don't know
where I'm Going
from here
But I promise it
Won't be Boring

David Bowie.


The Expulsion of Adam and Eve from Paradise

The Book of Genesis does not state how the first man and woman were expelled from Eden, but artists usually portray the Archangel Michael as the agent of the Lord's wrath. The sinners wear fur robes because God clothed them in "coats of skins" so that they could stand unashamed in his presence. The serpent, now cursed among creatures, slithers away on its belly to eat dust. The sharp beam of light overhead refers to the "flaming sword" in Genesis.

West's Expulsion contains two motifs not found in Genesis or any traditional pictures of the theme: an eagle swoops upon a helpless bird, and a lion chases frightened horses. In general terms, such beasts of prey imply the destruction of harmony that resulted from Original Sin. Regardless of any further symbolism, West's artistic treatment foretells the new romantic style with its theatrical gestures, rich paint textures, and clashes of blinding light and shadowy darkness.

Materials used:

paper ink pigments

The Expulsion of Adam and Eve from Paradise Digital Art (Giclée)
by Slasky

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Artwork description
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I Don't know
where I'm Going
from here
But I promise it
Won't be Boring

David Bowie.


The Expulsion of Adam and Eve from Paradise

The Book of Genesis does not state how the first man and woman were expelled from Eden, but artists usually portray the Archangel Michael as the agent of the Lord's wrath. The sinners wear fur robes because God clothed them in "coats of skins" so that they could stand unashamed in his presence. The serpent, now cursed among creatures, slithers away on its belly to eat dust. The sharp beam of light overhead refers to the "flaming sword" in Genesis.

West's Expulsion contains two motifs not found in Genesis or any traditional pictures of the theme: an eagle swoops upon a helpless bird, and a lion chases frightened horses. In general terms, such beasts of prey imply the destruction of harmony that resulted from Original Sin. Regardless of any further symbolism, West's artistic treatment foretells the new romantic style with its theatrical gestures, rich paint textures, and clashes of blinding light and shadowy darkness.

Materials used:

paper ink pigments

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Slasky

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ARTSY Slasky on Digital Art KLEIN EDITIONSDECEMBER 14, 2017 13:50 PMKlein Editions talks to contemporary artist Slasky about digital art, the prejudices towards it, and how it compares to artistic... Read more

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