Original artwork description:

Original contemporary abstract oil painting.

ABOUT:
This is a series in which I would like the color to be extremely free, as intense as possible, to breathe, and therefore the composition is extremely simplified: I don't want anything to disturb and interfere with the color perception. It’s reduced to absolute geometric simplicity. Everything here happens at once and all the energy spills out like a breath, like a sea wave. The entire process in this series is concentrated in one painting session. All of the processes and used materials are archival, professional artist-grade quality.

READY TO HANG:
The painting comes to you framed in a 32,5x23,5x2cm (12.8x9.2x0.8") off-white frame as shown. The frame is simple and stylish and could be easily replaced if you are not happy with it. The painting is front-protected by the plastic cover (transport safety) from dust and moisture, which also gives depth and justice to the color.

ARTWORK DETAILS:
- Title: "TALES OF THE COLOR" series, #18
- Style: Abstract; Modern and Contemporary art
- Medium: Oil Colors, Colored Pencil on Fabriano archival oil paper
- Art size: 12x17cm / 4.7x6.7"
- Mat size: 21x30cm / 8.3x11.8"
- Year of creation: 2023
- Signed and titled by me on the reverse

SHIPPING:
* The parcel will be shipped by Registered Post with a Tracking Number.
* The artwork will be professionally packaged for safe delivery.
* Please note that all custom charges are down to the buyer.
* Any excess costs for combined shipping will be refunded to you.

KNOWLEDGE BASE:
You've probably noticed and you're wondering why I do so much oil painting on paper. Besides the obvious fact that I just adore the touching, smelling, and feeling of the paper (which is obvious, I think :)), she gives me artistic freedom, convenience, versatility, and of course: quality!

The paper I use is from Fabriano (one of the oldest paper makers in Europe since the 13th century) with very good quality, acid-free, and archival. It has internal and external sizing that offers an ideal absorption for oil colors. The paper surface, obtained through a specialized texturing process, creates a very smooth surface similar to linen canvas, which I just adore.

Also due to the fact that the work is done on paper, it must then be framed and displayed "behind glass", which is the best possible option from a conservation point of view. There is no air dust and dirt, the painting is thermally insulated: thus, the effects of environmental temperature differences, which respectively lead to shrinkage and relaxation, are minimized. This is many times the better option than working on the mass-produced cheap canvases.


Thanks for looking!
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Materials used:

Oils, Colored Pencil on Fabriano archival oil paper

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