A square format was always problematic to me a kind of paradox when it comes to paint its surface. Either you do one plain color all over which can quickly be boring or you try to create some pictural space and that is when it becomes a challenge. The least is not that you have to create some kind of order that gives the picture a best side to show it, when being abstract it could be turn either ways. The technic here is inspired from a tip given to landscape painters about the rendering of leaves on trees : to paint withe a fine brush : 33,33,33,33,33,33...
Oil paint, canvas, wooden strecher, light varnish and string.
£821.95
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A square format was always problematic to me a kind of paradox when it comes to paint its surface. Either you do one plain color all over which can quickly be boring or you try to create some pictural space and that is when it becomes a challenge. The least is not that you have to create some kind of order that gives the picture a best side to show it, when being abstract it could be turn either ways. The technic here is inspired from a tip given to landscape painters about the rendering of leaves on trees : to paint withe a fine brush : 33,33,33,33,33,33...
Oil paint, canvas, wooden strecher, light varnish and string.
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