I use the “forbidden” for my School black to express the metaphysics of the night in the full Moon. Uncharacteristic for me, the cold grey shades draw the marks beyond the purity of sensation, lightness, and oriental teachings. A magnificent Flemish bouquet in a massive Renaissance vase consisting of a head with a multitude of faces, an empty glass, and a some mysterious cone.
Slightly naive manner of the artwork reflects the world as a poetic illusion. The textures created by “time” (actually by water) only add the layers of meanings and subtexts.
acrylic & tempera on cardboard
2 Artist Reviews
£1,803.03
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I use the “forbidden” for my School black to express the metaphysics of the night in the full Moon. Uncharacteristic for me, the cold grey shades draw the marks beyond the purity of sensation, lightness, and oriental teachings. A magnificent Flemish bouquet in a massive Renaissance vase consisting of a head with a multitude of faces, an empty glass, and a some mysterious cone.
Slightly naive manner of the artwork reflects the world as a poetic illusion. The textures created by “time” (actually by water) only add the layers of meanings and subtexts.
acrylic & tempera on cardboard
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