Original artwork description:

From the moment of his arrival in Arles, on 8 February 1888, Van Gogh was constantly preoccupied with the representation of "night effects".
In April 1888, he wrote to his brother Theo: "I need a starry night with cypresses or maybe above a field of ripe wheat." In June, he confided to the painter Emile Bernard: "But when shall I ever paint the Starry Sky, this painting that keeps haunting me" and, in September, in a letter to his sister, he evoked the same subject: "Often it seems to me night is even more richly coloured than day". During the same month of September, he finally realised his obsessive project.

He first painted a corner of nocturnal sky in Cafe Terrace on the Place du Forum, Arles (Otterlo, Rijksmuseum Kröller-Muller). Next came this view of the Rhône in which he marvellously transcribed the colours he perceived in the dark. Blues prevail: Prussian blue, ultramarine and cobalt. The city gas lights glimmer an intense orange and are reflected in the water.

Oil on canvas, 73x92 cm

Pigments used:
Schmincke Norma® Professional - Finest artists' oil colours, series 11
- titanium white
- lemon yellow
- poppy red
- cadmium red deep
- ultramarine blue deep
- cobalt blue hue
- prussian blue
- cerulean blue

Materials used:

oil paint

Tags:
#oil painting #modern art #impressionist #van gogh #starry night 

Starry Night Over the Rhône - Van Gogh hommage (2020)

Oil painting 
by Robin Funk

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Original artwork description
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From the moment of his arrival in Arles, on 8 February 1888, Van Gogh was constantly preoccupied with the representation of "night effects".
In April 1888, he wrote to his brother Theo: "I need a starry night with cypresses or maybe above a field of ripe wheat." In June, he confided to the painter Emile Bernard: "But when shall I ever paint the Starry Sky, this painting that keeps haunting me" and, in September, in a letter to his sister, he evoked the same subject: "Often it seems to me night is even more richly coloured than day". During the same month of September, he finally realised his obsessive project.

He first painted a corner of nocturnal sky in Cafe Terrace on the Place du Forum, Arles (Otterlo, Rijksmuseum Kröller-Muller). Next came this view of the Rhône in which he marvellously transcribed the colours he perceived in the dark. Blues prevail: Prussian blue, ultramarine and cobalt. The city gas lights glimmer an intense orange and are reflected in the water.

Oil on canvas, 73x92 cm

Pigments used:
Schmincke Norma® Professional - Finest artists' oil colours, series 11
- titanium white
- lemon yellow
- poppy red
- cadmium red deep
- ultramarine blue deep
- cobalt blue hue
- prussian blue
- cerulean blue

Materials used:

oil paint

Tags:
#oil painting #modern art #impressionist #van gogh #starry night 
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Robin Funk

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Location Germany

About
Traditional oilpaintings - impressionismI am mainly focused on reproductions and comission requestsI paint with the impasto technique, where you use thick layers of paint and mix them wet-in-wet on the... Read more

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