"St. Barth's" Church Contemporary Impressionist Caribbean Cityscape Painting in Blue and Cream by Mill Valley Artist Mary Anne McKernie_x000D_
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I took the photo on which this painting was based 20 years ago on a trip to the island of St. Barthelemy. The stark white of sun-drenched buildings is dramatic against the deep blue Caribbean sky._x000D_
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Original (New) - Acrylic on canvas_x000D_
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My art is inspired by both natural and built environments, primarily of the Bay Area where I have resided for 45 years, but also by trips taken to countries in Europe and the Caribbean. My studio is in Mill Valley, California._x000D_
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My use of color can be traced to years of interior design and color consulting. Observing that many wall paints looked dull and lifeless regardless of hue, I learned that those that seemed rich and complex—as if they glowed from within—were mixed using the full spectrum and without black. To replicate these pleasing and harmonious colors, I use a limited palette comprised of only the three primaries, two secondaries and white, and I mix my own chromatic blacks._x000D_
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The scenes in my artwork are often desolate, devoid of people, distilled to the essential elements needed to convey a peacefulness that may exist for only a fleeting moment. And in that starkness is a certain drama.
Acrylic paint, canvas
3 Artist Reviews
£231.29
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"St. Barth's" Church Contemporary Impressionist Caribbean Cityscape Painting in Blue and Cream by Mill Valley Artist Mary Anne McKernie_x000D_
_x000D_
I took the photo on which this painting was based 20 years ago on a trip to the island of St. Barthelemy. The stark white of sun-drenched buildings is dramatic against the deep blue Caribbean sky._x000D_
_x000D_
Original (New) - Acrylic on canvas_x000D_
_x000D_
My art is inspired by both natural and built environments, primarily of the Bay Area where I have resided for 45 years, but also by trips taken to countries in Europe and the Caribbean. My studio is in Mill Valley, California._x000D_
_x000D_
My use of color can be traced to years of interior design and color consulting. Observing that many wall paints looked dull and lifeless regardless of hue, I learned that those that seemed rich and complex—as if they glowed from within—were mixed using the full spectrum and without black. To replicate these pleasing and harmonious colors, I use a limited palette comprised of only the three primaries, two secondaries and white, and I mix my own chromatic blacks._x000D_
_x000D_
The scenes in my artwork are often desolate, devoid of people, distilled to the essential elements needed to convey a peacefulness that may exist for only a fleeting moment. And in that starkness is a certain drama.
Acrylic paint, canvas
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