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Original artwork description:
Contemporary Impressionism.
'Spring fields' was painted in an impressionistic style using soft pastels.
The painting is signed on the front and accompanied by a certificate of authenticity.
Zoe Elizabeth Norman is Artfinder's first award winning artist; in Feb 2020 she won first prize in 'Portraits from the Precipice'. Limited edition prints are still available of the winning painting 'The Future's in our Hands' with 25% of the sale price going to help rescue and rehabilitate wild orangutans.
Her paintings are in many private collections around the world.
Materials used:
Clairefontaine Pastlemat and Faber Castell Pastels
Tags:
#landscape #clouds #impressionist art #impressionism #english countryside #pastel painting #countryside painting #yellow flowers #yellow fields #rape seed #distant treesSpring Fields (2018)
Painting
by Zoe Elizabeth Norman
90 Artist Reviews
£395
- Painting on Paper on board
- One of a kind artwork
- Size: 30 x 40 x 0.1cm (unframed) / 30 x 40cm (actual image size)
- Signed on the front
- Style: Impressionistic
- Subject: Landscapes, sea and sky
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Original artwork description
Contemporary Impressionism.
'Spring fields' was painted in an impressionistic style using soft pastels.
The painting is signed on the front and accompanied by a certificate of authenticity.
Zoe Elizabeth Norman is Artfinder's first award winning artist; in Feb 2020 she won first prize in 'Portraits from the Precipice'. Limited edition prints are still available of the winning painting 'The Future's in our Hands' with 25% of the sale price going to help rescue and rehabilitate wild orangutans.
Her paintings are in many private collections around the world.
Materials used:
Clairefontaine Pastlemat and Faber Castell Pastels
Tags:
#landscape #clouds #impressionist art #impressionism #english countryside #pastel painting #countryside painting #yellow flowers #yellow fields #rape seed #distant trees
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Artist Reviews (90)
Zoe Elizabeth Norman
United Kingdom
About
I started painting seriously in my early twenties and encouraged by a string of commissions from work colleagues and friends I started to exhibit paintings in local and National Art... Read more