I do not paint portraits, but I create a reason to doubt the usual interpretation, the Lacanian Real. I discard traditional aesthetic gradations, creating a painting-object with which the viewer independently comes into visual contact.
I am interested in painting as an aesthetic experience that opens up the possibility of recording a state of loss, impermanence. In my works, an active background, a pause or emptiness are full-fledged elements of the pictorial language. What within the picture is reality and what is a dream? In fact, no final conclusion is in sight. With each new encounter with a painting, you will have to redefine: what really is the object of the image?
The work is made using the author's technique on premium quality linen canvas. The ends are treated with black paint.
oil
33 Artist Reviews
£1,889.64
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I do not paint portraits, but I create a reason to doubt the usual interpretation, the Lacanian Real. I discard traditional aesthetic gradations, creating a painting-object with which the viewer independently comes into visual contact.
I am interested in painting as an aesthetic experience that opens up the possibility of recording a state of loss, impermanence. In my works, an active background, a pause or emptiness are full-fledged elements of the pictorial language. What within the picture is reality and what is a dream? In fact, no final conclusion is in sight. With each new encounter with a painting, you will have to redefine: what really is the object of the image?
The work is made using the author's technique on premium quality linen canvas. The ends are treated with black paint.
oil
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