Limited edition artwork on museum-quality Hahnemühle Bamboo FineArt Paper (290 gsm, 90% bamboo fibers, 10% cotton), signed and numbered on the front and on the back, embossed with an authenticity stamp, comes with a signed and numbered certificate of authenticity.
From my project "Subtraction"
Life can be improved by adding, or by subtracting. The world pushes us to add because that benefits them. What if we focus on subtracting instead? First, I subtract everything that I can, and then I add only the most essential elements. The ones that I choose myself and that I feel will add the real value. I unlearn the old things and now my mind has space for the new knowledge. Ultimately there’s an infinity of possibilities in limitations. But you need to learn to subtract and make that space first in progress
Available in sizes:
50 x 50cm (19.7 x 19.7 in.) - 4
70 x 70cm (27.6 x 27.6 in.) - 4
100 x 100cm (39.4 x 39.4 in.) - 4
120 x 120cm (47.2 x 47.2 in.) - 4
My Style: Psychorealism
My works are a depiction of psychological and emotional states, whether existing or desired. So in this sense, I can’t call them surrealistic, as surrealism is based on dreams and unconscious, but rather "psychorealistic" or subjectively realistic.
The “realistic” part is very important to me. I want to make my images as believable as possible, therefore I like to keep little imperfections like wrinkles on clothes or wall cracks untouched, or should I say unre-touched.
At the same time, my goal is to surprise the viewer and make their jaws drop, simultaneously finding comfort, relief, and release in what they see.
I use the instruments of minimalism, reducing all the clutter, to make my works look sharper, more straightforward, and to the point. I want to give my audience a breath of fresh air when they look away from the messy, unstable, polluted, and chaotic real world and get into a clean, controlled, and calm reality, where it’s ok to be yourself. It’s like finding a psychological or (you can say “spiritual”) home.
What kind of feeling does it bring to your home?
Peace and tranquility. Strength and confidence. A grain of melancholy. With a bit of a whim, mystery, and fantasy. It will always be a gentle and quiet reminder that nothing is what it seems and you should always go deeper to perceive the true meaning.
How I work
I choose muted tones, strictly organized compositions, clean minimalistic spaces, and lots of symbolism to convey my ideas. Each visual story here has a definite plot but is always open to interpretation.
My Process
Each photo takes from 1 week to several months of planning and preparations: thinking through the story and the plot, planning the color scheme, sketching, scouting for locations, creating the props, choosing the suitable wardrobe, looking for the right makeup and hairstyle looks and then blending it all together. In some cases, a whole team is involved in the shooting process.
I never use stock imagery to create my art, I shoot all the details myself right there on location, so when everything is combined in the final piece the work looks as realistic as possible, no matter how surreal it might seem at a first glance.
Editing is a big part of the creative process, often the whole concept might change while I digitally develop the work. Editing is usually done after 2-3 months after the shooting has been done. This allows me to reevaluate and deepen my initial intentions and ideas.
Hahnemühle Bamboo fine art paper
5 Artist Reviews
£1,237.84
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Limited edition artwork on museum-quality Hahnemühle Bamboo FineArt Paper (290 gsm, 90% bamboo fibers, 10% cotton), signed and numbered on the front and on the back, embossed with an authenticity stamp, comes with a signed and numbered certificate of authenticity.
From my project "Subtraction"
Life can be improved by adding, or by subtracting. The world pushes us to add because that benefits them. What if we focus on subtracting instead? First, I subtract everything that I can, and then I add only the most essential elements. The ones that I choose myself and that I feel will add the real value. I unlearn the old things and now my mind has space for the new knowledge. Ultimately there’s an infinity of possibilities in limitations. But you need to learn to subtract and make that space first in progress
Available in sizes:
50 x 50cm (19.7 x 19.7 in.) - 4
70 x 70cm (27.6 x 27.6 in.) - 4
100 x 100cm (39.4 x 39.4 in.) - 4
120 x 120cm (47.2 x 47.2 in.) - 4
My Style: Psychorealism
My works are a depiction of psychological and emotional states, whether existing or desired. So in this sense, I can’t call them surrealistic, as surrealism is based on dreams and unconscious, but rather "psychorealistic" or subjectively realistic.
The “realistic” part is very important to me. I want to make my images as believable as possible, therefore I like to keep little imperfections like wrinkles on clothes or wall cracks untouched, or should I say unre-touched.
At the same time, my goal is to surprise the viewer and make their jaws drop, simultaneously finding comfort, relief, and release in what they see.
I use the instruments of minimalism, reducing all the clutter, to make my works look sharper, more straightforward, and to the point. I want to give my audience a breath of fresh air when they look away from the messy, unstable, polluted, and chaotic real world and get into a clean, controlled, and calm reality, where it’s ok to be yourself. It’s like finding a psychological or (you can say “spiritual”) home.
What kind of feeling does it bring to your home?
Peace and tranquility. Strength and confidence. A grain of melancholy. With a bit of a whim, mystery, and fantasy. It will always be a gentle and quiet reminder that nothing is what it seems and you should always go deeper to perceive the true meaning.
How I work
I choose muted tones, strictly organized compositions, clean minimalistic spaces, and lots of symbolism to convey my ideas. Each visual story here has a definite plot but is always open to interpretation.
My Process
Each photo takes from 1 week to several months of planning and preparations: thinking through the story and the plot, planning the color scheme, sketching, scouting for locations, creating the props, choosing the suitable wardrobe, looking for the right makeup and hairstyle looks and then blending it all together. In some cases, a whole team is involved in the shooting process.
I never use stock imagery to create my art, I shoot all the details myself right there on location, so when everything is combined in the final piece the work looks as realistic as possible, no matter how surreal it might seem at a first glance.
Editing is a big part of the creative process, often the whole concept might change while I digitally develop the work. Editing is usually done after 2-3 months after the shooting has been done. This allows me to reevaluate and deepen my initial intentions and ideas.
Hahnemühle Bamboo fine art paper
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