Creating an image through a process rather than starting from the idea of an image is what gives this kind of "Pareidolies" which i am found of. Abstraction for the sake of abstraction is not an issue for me, as a matter of fact i always trust materiality and frontality to enter the field of "representation". So the sheer presence of the painting is often overwhelming because there is no conflict between the medium, the technique used and the image it creates. Like an object, real in its own way - beyond the illusionistic rendering of reality, the "chevalet" painting.
Acryl paint, canvas, wooden strecher, light varnish and string.
£2,927.33
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Creating an image through a process rather than starting from the idea of an image is what gives this kind of "Pareidolies" which i am found of. Abstraction for the sake of abstraction is not an issue for me, as a matter of fact i always trust materiality and frontality to enter the field of "representation". So the sheer presence of the painting is often overwhelming because there is no conflict between the medium, the technique used and the image it creates. Like an object, real in its own way - beyond the illusionistic rendering of reality, the "chevalet" painting.
Acryl paint, canvas, wooden strecher, light varnish and string.
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