Tranquillity is the theme for this painting of an expressive journey through a dreamlike woodland. The fusion of impressionism and semi-abstraction invites viewers to feel the serene embrace of nature. Green canopies fade into a gentle luminance, while cobalt whispers beneath—evoking a calm sunlit glade with the scent of bluebells on the breeze. This piece offers a soulful energy to any space, igniting imagination and bringing a sense of the ethereal forest into your home.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies somewhere between abstraction and realism. The painting continues round the sides, a frame is not needed and it is ready to hang.
Acrylic Paints on canvas
27 Artist Reviews
£1,350 Sold
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Tranquillity is the theme for this painting of an expressive journey through a dreamlike woodland. The fusion of impressionism and semi-abstraction invites viewers to feel the serene embrace of nature. Green canopies fade into a gentle luminance, while cobalt whispers beneath—evoking a calm sunlit glade with the scent of bluebells on the breeze. This piece offers a soulful energy to any space, igniting imagination and bringing a sense of the ethereal forest into your home.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies somewhere between abstraction and realism. The painting continues round the sides, a frame is not needed and it is ready to hang.
Acrylic Paints on canvas
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