This painting has its origins in emancipators based on problematic geometries such as rhetoric, uncomfortable termini and manual experiments. Environments overlap the synthetic, pre-dominated formation, while the pseudo-realistic result inspires and mystifies the simulation of concurrences. The positions of the different shapes underline the complexity of it all.
The painting was done by using acrylic colours and some markers. Thanks to the canvas being placed onto a wooden panel, the entire painting is ready to hang. A signature can be found at the back of the artwork.
acrylic paint and markers
£314.06
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This painting has its origins in emancipators based on problematic geometries such as rhetoric, uncomfortable termini and manual experiments. Environments overlap the synthetic, pre-dominated formation, while the pseudo-realistic result inspires and mystifies the simulation of concurrences. The positions of the different shapes underline the complexity of it all.
The painting was done by using acrylic colours and some markers. Thanks to the canvas being placed onto a wooden panel, the entire painting is ready to hang. A signature can be found at the back of the artwork.
acrylic paint and markers
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