Original artwork description:

A black nude female figure painted loosely on a Studland cream board which has a fine surface with good absorption. The mannered style of this figure with this type of board lends itself to a free style of painting. The work was originally painted in1983 and has had some revision in 2022.

I apply the acrylic paint in a liquid form as the board absorbs the paint, so there is no need to worry about breaking down the paint binder. I use artists large hogs hair brushes to manipulate the work to give it a robust rendition.

The work only needs framing to to make it ready to hang and should preferably be framed under glass with a mount. A suggested frame width of at least 60mm or more for this size painting. Narrow frames on large paintings have tendency to not sit well and have a habit of warping.

Materials used:

Acrylic on Studland board

Tags:
#african #black female #nude figure #african carribean 
Featured by our Editors:

Restive Nude (1983) Acrylic painting
by Nicholas Robertson

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£480

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Original artwork description
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A black nude female figure painted loosely on a Studland cream board which has a fine surface with good absorption. The mannered style of this figure with this type of board lends itself to a free style of painting. The work was originally painted in1983 and has had some revision in 2022.

I apply the acrylic paint in a liquid form as the board absorbs the paint, so there is no need to worry about breaking down the paint binder. I use artists large hogs hair brushes to manipulate the work to give it a robust rendition.

The work only needs framing to to make it ready to hang and should preferably be framed under glass with a mount. A suggested frame width of at least 60mm or more for this size painting. Narrow frames on large paintings have tendency to not sit well and have a habit of warping.

Materials used:

Acrylic on Studland board

Tags:
#african #black female #nude figure #african carribean 
Featured by our Editors:
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Nicholas Robertson

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Location United Kingdom

About
I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons... Read more

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