"The composition has this fantastic tension – part cosmic accident, part controlled demolition. Those white calligraphic lines feel like they're trying to contain or make sense of the chromatic explosion happening in the center, like some kind of abstract first responder at the scene of a color emergency.
This artist is wrestling with the continuing problem of how to make a flat surface feel alive, how to create visual electricity, and is doing it with gusto and conviction.
What elevates this beyond mere decorative abstraction is the risk-taking – those awkward green shapes that shouldn't work but somehow do, the way the composition teeters on the edge of falling apart but holds together through sheer visual willpower. It's painting that's not afraid to be painting – no conceptual alibis, no ironic distance, just the raw business of color, form, and energy doing their thing on a rectangle."
Acrylic paint, watercolor, markers
£1,349.98
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"The composition has this fantastic tension – part cosmic accident, part controlled demolition. Those white calligraphic lines feel like they're trying to contain or make sense of the chromatic explosion happening in the center, like some kind of abstract first responder at the scene of a color emergency.
This artist is wrestling with the continuing problem of how to make a flat surface feel alive, how to create visual electricity, and is doing it with gusto and conviction.
What elevates this beyond mere decorative abstraction is the risk-taking – those awkward green shapes that shouldn't work but somehow do, the way the composition teeters on the edge of falling apart but holds together through sheer visual willpower. It's painting that's not afraid to be painting – no conceptual alibis, no ironic distance, just the raw business of color, form, and energy doing their thing on a rectangle."
Acrylic paint, watercolor, markers
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