Original artwork description:

This work of almost photographic precision, is part of the artists' "Psychedelic Cactus" series, in which Virtosu provokes the visual cortex with eye-candied color cactus.
The work is created with a lot of patience by carefully juxtaposing colors next to each-other and then mixing them with light brushstrokes. A process of almost meditative character that the artist developed especially for this series.

This is an ongoing series of works, the artist is available to work on commission to produce similar works on various sizes upon request.

Creating imagery that is both striking and easy to understand has been the speciality of Dominic Virtosu through-out his career. The artist focuses primarily on a visual language that relates to cultural references and 21st century pop-trends of the moment to articulate a bouquet of sensory stimuly that caress the intellects ability to process transmaterial objects.
There is undoubtedly no objectivity in this endeavour as the artists’ stated mission is to immerse himself completely into the task of creation. The subject, being a pretext for his artistic expression, entertains within the viewer the notion of duality transposing him/her into a superior sphere of consciousness.
The theme of the Cactus is prevalent in Virtosu’s work and dates back to 2015 and Virtosu’s first visit to the Canary Island of Spain – mainly his stay and exploration period on the island of Tenerife where he has been charmed by the rugged nature and the way green life had found a way to colonize even that piece of inhospitable land.
Similar to a volcanic eruption, Virtosu’s painting exploded into a large palette of juxtaposed colors – reminding somewhat of the Fauvism that had also impressed him during his years of study. Using photography as a starting point, Virtosu’s vibrant imagination creates composition with cacti of the most varied species and transforms their colors to reflect his subjective mood.
„There is no right or wrong answer in this”, the artist claims, „I feel that I need to paint something in a certain way and I do it until I am satisfied with the result. Sometimes it takes a few months to get a result that I am looking for, sometimes it takes me a few days and sometimes, rarely, just a few hours.”
Speaking about his cactus series, Dominic Virtosu puts an accent on the aesthetic aspect of the work: „I am very interested in how a painting looks. I feel like it really needs to look great before I am satisfied with it. With the cacti I am always looking for better ways to apply the paint so that the plants look vivid and the color remains as vibrant as I see it in my head. Often I had to re-think the way I was painting a work WHILE i was painting it, because I had discovered a new way of mixing colors or some other trick that I wanted to use. It’s a learning process that demands attention, patience and dilligence. However, the end-result makes me feel really great.”
With „Psychedelic Cactus” Virtosu pushes his mastery one step further and invents another, new protocol, for applying the paint on the canvas: he first creates a background layer around and behind the plants in order to have a base color to help his eye get oriented as to what nuances to use for the objects in the foreground. In the next stage of the work, the artist endeavours meticulously into rendering each and every detail of the cactus, applying dabs of paint with fine brushes in numerous nuances that he carefully juxtaposes and creates what could be described as an observation painting.
„The more rewarding stage of my painting process is the third stage: here I come back on this layer of color that I had just finished working on and, very carefully and making sure that I constantly clean my brush, I start unifying the colors one to the other slowly. I mix them together ever so gently in order to achieve a smooth transition between hues.”
The end result is a cactus that is both vibrant, from all the tones and hues, AND absolutely smooth in texture.
„I wanted this cactus to reflect the texture of the actual plant, which is smooth and glossy skin that is sometimes interrupted by brutal spikes” says the artist. „I find this contrast between the skin and the spikes to be absolutely astonishing, both visually and aesthetically. I am also interested in this as a metaphor for the human condition: the way we all have spikes that protect us against being hurt – we hold others at bay so that they are not able to gage our imperfections – but, behind that, we all are fragile, beautiful beings, worthy of love.”

Materials used:

oil on canvas and resin finish