Original artwork description:

Popiconic moment 2 Live Aid ( on a box canvas).

On the 13th July 1985, after a few technical problems, mediocre performances from stars new and old, Queen were due on. Queen galvanised the stadium with some of their greatest hits; Freddie Mercury at times led the entire crowd of 72,000 in thundering unison refrains. In their 20 minute set the band opened with "Bohemian Rhapsody" and closed with "We Are the Champions".
Being true professionals they had extensively rehearsed their performance, and then before taking the stage Queen's sound engineer covertly switched out the limiters on the venue's sound system so the performance would be louder than the others. Queen's performance on that day has since been voted by more than 60 artists, journalists and music industry executives as the greatest live performance in the history of rock music.
The painting is; the moment that Freddie, with the Live Aid Logo behind him, turns to acknowledge the audience, and; the Popiconic moment when nearly 2 billion TV watchers knew that thousands of starving African people weren’t going to die after all.

Urban Pop art in your own home by cult artist Sly.

These are not prints as each is individually done and signed to order and consequently vary a little from the illustrated picture. These paintings are sprayed onto “chunky” box canvasses, 38 mm thick and ready to hang with no need for a frame.


(Also available on The Daily Telegraph, an Urbox, watercolour paper or plain paper at various prices if you search elsewhere.)

It is likely that Juan Sly has become the biggest seller of original artworks in the UK. An artist exhibiting in mainly spray stencils and oils. He has exhibited at the Saatchi (a proper gallery with pillars and everything!) alongside the likes of Banksy, Terry O'Neil, Tracy Emin and Vic Reeves and now has a permanent collections in Germany, Detroit and UK, alongside Damien Hirst and some other artists you might have heard of plus private collections around the globe. His works rock from humour to anti-war, sex to surreal. Particularly fond of the stencil medium as it allows him to quickly respond to events and ideas and gives the work that gritty illegal look. Stencils naturally allow the works to be resprayed and so become affordable and disposable. He likes the fact that people can buy art that they like and not to show off how much they can afford. You can find them in bedsits, legal offices in the Temple or stuck to a fence in Bristol.


Spiel by Steeve.

Materials used:

Spray paint

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