Original artwork description:

On the 13th July 1985, after a few technical problems, mediocre performances from stars new and old, Queen were due on. Queen galvanised the stadium with some of their greatest hits; Freddie Mercury at times led the entire crowd of 72,000 in thundering unison refrains. In their 20 minute set the band opened with "Bohemian Rhapsody" and closed with "We Are the Champions".
Being true professionals they had extensively rehearsed their performance, and then before taking the stage Queen's sound engineer covertly switched out the limiters on the venue's sound system so the performance would be louder than the others. Queen's performance on that day has since been voted by more than 60 artists, journalists and music industry executives as the greatest live performance in the history of rock music.
The painting is; the moment that Freddie, with the Live Aid Logo behind him, turns to acknowledge the audience, and; the Popiconic moment when nearly 2 billion TV watchers knew that thousands of starving African people weren’t going to die after all.

These are not prints, as each is individually painted and signed to order and consequently will vary slightly from the illustrated picture. These paintings are sprayed onto a handmade "Urbox,” or urban box, covered in newspaper cuttings and are handmade by people who wish to work to supplement their income. The boxes measure 590x760x45 mm, look really cool, have an urban feel, and are ready to hang, so there is no need to buy an expensive frame.

(Also available on The Daily Telegraph, watercolour paper or plain paper at various prices if you search elsewhere.)

Juan Sly is likely the biggest seller of original artwork in the UK. An artist exhibiting in spray stencils, newspaper and oils, he has exhibited at the Saatchi (a proper gallery with pillars and everything!) alongside the likes of Banksy, Terry O'Neil, Tracy Emin and Vic Reeves, and has permanent collections in Ireland, Detroit and England, alongside Damien Hirst and some other artists you might have heard of, plus private collections around the globe. His works rock from humour to anti-war, sex to surreal. He is particularly fond of the stencil medium as it allows him to respond quickly to events and ideas and gives his works a gritty, illegal look. The stencils naturally allow the works to be resprayed, and consequently become affordable and disposable. He likes the fact that people can buy art which they like, and not to show off how much they can afford. You can find them in bedsits, legal offices in the Temple or stuck to a fence in Bristol.

Spiel by Steeve.

Materials used:

Spray on box 59x76x4cm

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