This Roadside Giant is called 'Poor Richard', ironic really considering the artists' name, and the sad state of his broken off head. Poor Richard refers to the Almanack published by Benjamin Franklin in between 1732-1758, which was popular for its extensive use of wordplay, and some of the witty phrases coined in the contemporary American vernacular. This broken bearded cowboy, an iconic Muffler Man, was discovered during Richard's road trip between Mecca and the Salton Sea.
This artwork is a limited edition of 25, gloss photographic print from negative, accompanied by a signed and numbered certificate of authenticity.
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography without the need for digital manipulation. He runs his own darkrooms in Cambridge (UK) where he hand prints his colour photography. His work has been exhibited in Museums and Public Galleries around England, and he has participated in Art Fairs around the world, and his work is now part of many international collections.
Photographic Paper, C Print, Silver Gelatin
19 Artist Reviews
£445
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This Roadside Giant is called 'Poor Richard', ironic really considering the artists' name, and the sad state of his broken off head. Poor Richard refers to the Almanack published by Benjamin Franklin in between 1732-1758, which was popular for its extensive use of wordplay, and some of the witty phrases coined in the contemporary American vernacular. This broken bearded cowboy, an iconic Muffler Man, was discovered during Richard's road trip between Mecca and the Salton Sea.
This artwork is a limited edition of 25, gloss photographic print from negative, accompanied by a signed and numbered certificate of authenticity.
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography without the need for digital manipulation. He runs his own darkrooms in Cambridge (UK) where he hand prints his colour photography. His work has been exhibited in Museums and Public Galleries around England, and he has participated in Art Fairs around the world, and his work is now part of many international collections.
Photographic Paper, C Print, Silver Gelatin
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