“Pavilion Of Light” is an acrylic painting on 300gms canvas paper. It is 40cms wide and 30cms in height. It is presented/shipped in a white card window mount (see pictures) 50x40cms at a cost 0f £250, not including postage. The mounted painting is shipped in a reinforced card wallet.
The painting can also be purchased in a white glazed frame 53x43cms (see pictures) at a cost of £275 + postage. Postage for the framed / glazed picture in the U.K. is £20, to Europe £45 to U.S.A. £85.
‘Pavilion Of Light’ is a painting developed from landscape drawings made in Cumbria September 2018. The location is Buttermere and on the day when the drawings were made the light was intense and the shadows deep and clear. The painting is intent on capturing the strength of the light across open foreground and the rolling hills and mountains in the mid and background. The initial drawings were made purposefully quick, and the energy of brushstrokes in the painting try to capture the dynamics of the location. This isn’t a literal painting. It exists as a painting in its own right. Gestural and expressive, hopefully capturing a memory of a time and place I frequently visit. There are clear references to Fauvism, Expressionism and the 1940’s Cobra art movement. There are also links to the works of Barbara Rae, Gillian Ayres, Howard Hodgkin and John Hoyland.
Acrylic paint and dyes on 300gms canvas paper
5 Artist Reviews
£250
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“Pavilion Of Light” is an acrylic painting on 300gms canvas paper. It is 40cms wide and 30cms in height. It is presented/shipped in a white card window mount (see pictures) 50x40cms at a cost 0f £250, not including postage. The mounted painting is shipped in a reinforced card wallet.
The painting can also be purchased in a white glazed frame 53x43cms (see pictures) at a cost of £275 + postage. Postage for the framed / glazed picture in the U.K. is £20, to Europe £45 to U.S.A. £85.
‘Pavilion Of Light’ is a painting developed from landscape drawings made in Cumbria September 2018. The location is Buttermere and on the day when the drawings were made the light was intense and the shadows deep and clear. The painting is intent on capturing the strength of the light across open foreground and the rolling hills and mountains in the mid and background. The initial drawings were made purposefully quick, and the energy of brushstrokes in the painting try to capture the dynamics of the location. This isn’t a literal painting. It exists as a painting in its own right. Gestural and expressive, hopefully capturing a memory of a time and place I frequently visit. There are clear references to Fauvism, Expressionism and the 1940’s Cobra art movement. There are also links to the works of Barbara Rae, Gillian Ayres, Howard Hodgkin and John Hoyland.
Acrylic paint and dyes on 300gms canvas paper
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