‘PATHWAY” is an acrylic painting 28x20 cms on 300gms canvas paper. It is presented in a white card mount 35x28cms. The painting can be transferred to a larger mount if preferred. Please see the pictures where the painting is shown in a glazed frame 56x45cms and can be purchased at an increased shipping cost, if preferred. ‘Pathway’ is inspired by a familiar location and in keeping with similar paintings made at this time focuses on memory and imagination. ‘Pathway’ is part of a small series of paintings related to Hesketh Park, Southport, U.K. I walk in this park every day. This Victorian park has extensive gardens and ornate fountains that have been restored and reconstructed. There are numerous nature trails, varied wildlife and a large lake. Pathways fall and rise in this green space, which is only moderately manicured. Viewpoints are varied. Walking the pathways is a visual and physical experience and it links to the experience of painting as a means of presenting events that unfold through time and to the concurrent virtue of painting as a means of conferring visual presence on non visual phenomena.
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£150 Sold
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‘PATHWAY” is an acrylic painting 28x20 cms on 300gms canvas paper. It is presented in a white card mount 35x28cms. The painting can be transferred to a larger mount if preferred. Please see the pictures where the painting is shown in a glazed frame 56x45cms and can be purchased at an increased shipping cost, if preferred. ‘Pathway’ is inspired by a familiar location and in keeping with similar paintings made at this time focuses on memory and imagination. ‘Pathway’ is part of a small series of paintings related to Hesketh Park, Southport, U.K. I walk in this park every day. This Victorian park has extensive gardens and ornate fountains that have been restored and reconstructed. There are numerous nature trails, varied wildlife and a large lake. Pathways fall and rise in this green space, which is only moderately manicured. Viewpoints are varied. Walking the pathways is a visual and physical experience and it links to the experience of painting as a means of presenting events that unfold through time and to the concurrent virtue of painting as a means of conferring visual presence on non visual phenomena.
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