I first drew this in 1984 and did not follow through with a painting.
In 2024 I came across the drawing again while looking for something else and decided I would now paint it 41 years later! Its an elegant portly clown, I must have taken my children to a pantomime show or a traveling circus. I have a faded memory of the figure, but not the occasion. Such is the vagaries of a painting’s stimulation.
The work consists of a Rowney Cryla acrylic base coat of burnt orange, then opaque pigments are used to lay down the undercoating of some of the subject matter. Subsequently using acrylic paint in washes which has been thinned using diluted Liquidex airbrush medium. This layering of the work allows for subtle tonal attributes that give depth and intensity. The overall result is an acrylic painting with a degree of luminosity rather than the usual flat acrylic finish.
Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting but has a unifying effect. A suggested frame width of at least 50mm for this 254x305mm painting. This makes for the best visual effect and prevents warping.
acrylic and rolled canvas board
1 Artist Reviews
£350
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I first drew this in 1984 and did not follow through with a painting.
In 2024 I came across the drawing again while looking for something else and decided I would now paint it 41 years later! Its an elegant portly clown, I must have taken my children to a pantomime show or a traveling circus. I have a faded memory of the figure, but not the occasion. Such is the vagaries of a painting’s stimulation.
The work consists of a Rowney Cryla acrylic base coat of burnt orange, then opaque pigments are used to lay down the undercoating of some of the subject matter. Subsequently using acrylic paint in washes which has been thinned using diluted Liquidex airbrush medium. This layering of the work allows for subtle tonal attributes that give depth and intensity. The overall result is an acrylic painting with a degree of luminosity rather than the usual flat acrylic finish.
Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting but has a unifying effect. A suggested frame width of at least 50mm for this 254x305mm painting. This makes for the best visual effect and prevents warping.
acrylic and rolled canvas board
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