Intercambio de reflejos entre los dos gigantes en gris y azul a traves de las lineas quebradas y los espejos de sus cristales confluyendo hacia el cielo de cuyo azul manganeso participan ellos con sus colores grises. En medio un edificio en ocre , veterano por tanto, de ladrillo y sin reflejos, que nos da la proporcion de tamaño.
Un autentico centro rodeado de cientos de centros,-que se creen- todos unicos.
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Exchange of reflections between the two giants in gray and blue through the broken lines and the mirrors of their crystals converging towards the sky of whose manganese blue they participate with their gray colors. In the middle a building in ochre, veteran therefore, of brick and without reflections, which gives us the proportion of size.
An authentic center surrounded by hundreds of centers, which are believed to be unique.
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If you are interested in this work, you can ask the artist to send new photographs about it.
Lienzo sobre bastidor de madera.
£1,003.66
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Intercambio de reflejos entre los dos gigantes en gris y azul a traves de las lineas quebradas y los espejos de sus cristales confluyendo hacia el cielo de cuyo azul manganeso participan ellos con sus colores grises. En medio un edificio en ocre , veterano por tanto, de ladrillo y sin reflejos, que nos da la proporcion de tamaño.
Un autentico centro rodeado de cientos de centros,-que se creen- todos unicos.
--------------------------------------------------------------
Exchange of reflections between the two giants in gray and blue through the broken lines and the mirrors of their crystals converging towards the sky of whose manganese blue they participate with their gray colors. In the middle a building in ochre, veteran therefore, of brick and without reflections, which gives us the proportion of size.
An authentic center surrounded by hundreds of centers, which are believed to be unique.
------------------------------------------
If you are interested in this work, you can ask the artist to send new photographs about it.
Lienzo sobre bastidor de madera.
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