Original artwork description:

Over the last 200 years Japanese woodblock printing has influenced artists of wildly contrasting styles - from Vincent van Gogh through Roy Lichtenstein to Julian Opie. Van Gogh even said: 'All my work is based to some extent on Japanese art.' Hummm. It would be as hard to detect similarities in style between Van Gogh's 'Starry Night' and Hokusai's 'Great Wave Off Kanagawa' as it would between Andy Warhol's Campbell's Soup Tins and Caravaggio's Beheading of St John the Baptist, but who are we to argue with the great man? Woodblock printing, with its dearth of great detail and heavy outlines, is much more in tune with the styles of Lichtenstein and Opie. It is difficult, however, to recreate woodblock processes without actually carving a woodblock: the trees in this scene were applied with the rough side of a pan scrubber and the stripes hand painted by carefully running the brush along a metal ruler. This picture is a woodblock print lovechild of Roy Lichtenstein and Julian Opie.

Materials used:

Acrylics

Tags:
#washington state #forest .trees #forest abstract #woods abstract #north cascades #mountain abstract #forest acrylic #woods art #mountaian range 
Featured by our Editors:

North Cascades National Park (2024)

Acrylic painting 
by Steve White

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Original artwork description
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Over the last 200 years Japanese woodblock printing has influenced artists of wildly contrasting styles - from Vincent van Gogh through Roy Lichtenstein to Julian Opie. Van Gogh even said: 'All my work is based to some extent on Japanese art.' Hummm. It would be as hard to detect similarities in style between Van Gogh's 'Starry Night' and Hokusai's 'Great Wave Off Kanagawa' as it would between Andy Warhol's Campbell's Soup Tins and Caravaggio's Beheading of St John the Baptist, but who are we to argue with the great man? Woodblock printing, with its dearth of great detail and heavy outlines, is much more in tune with the styles of Lichtenstein and Opie. It is difficult, however, to recreate woodblock processes without actually carving a woodblock: the trees in this scene were applied with the rough side of a pan scrubber and the stripes hand painted by carefully running the brush along a metal ruler. This picture is a woodblock print lovechild of Roy Lichtenstein and Julian Opie.

Materials used:

Acrylics

Tags:
#washington state #forest .trees #forest abstract #woods abstract #north cascades #mountain abstract #forest acrylic #woods art #mountaian range 
Featured by our Editors:
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Location Netherlands

About
I started painting, aged 50, after visiting a Wassily Kandinsky exhibition at the Royal Academy in London. I vowed not to fall victim to the infamous New Maths Equation: MODERN... Read more

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