Original artwork description:

I avoid giving titles to my work. Titles are like barriers for your own imagination. Abstract art enables you to make your own story.

In this acrylic creation, I've woven a tapestry of raw emotion through abstract strokes and contrasts. Evocative of a tempestuous sea or a windswept landscape, it's an exploration of the power within chaos and calmness. Each layer adds depth, beckoning observers to look deeper, to feel the energy pulsate. It's a piece that brings a soulful resonance, poised to inject a dynamic, reflective ambiance into any space.

Technical information: the painting has finished edges and could be hanged with or without decorative frame. Installation hardware is not included, but could easily be hanged on a wooden underframe (after inserting holding screws into the wall).

Materials used:

Acrylic

Tags:
#black and #grey scales #minimalist #modern landscape #semiabstract landscape 

No 65 (2023)

Acrylic painting 
by Irmantė Sviensienė

£405.89 Alert

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Original artwork description
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I avoid giving titles to my work. Titles are like barriers for your own imagination. Abstract art enables you to make your own story.

In this acrylic creation, I've woven a tapestry of raw emotion through abstract strokes and contrasts. Evocative of a tempestuous sea or a windswept landscape, it's an exploration of the power within chaos and calmness. Each layer adds depth, beckoning observers to look deeper, to feel the energy pulsate. It's a piece that brings a soulful resonance, poised to inject a dynamic, reflective ambiance into any space.

Technical information: the painting has finished edges and could be hanged with or without decorative frame. Installation hardware is not included, but could easily be hanged on a wooden underframe (after inserting holding screws into the wall).

Materials used:

Acrylic

Tags:
#black and #grey scales #minimalist #modern landscape #semiabstract landscape 
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Irmantė Sviensienė

Location Lithuania

About
Abstract art leaves a lot of room for the imagination of the observer. I often avoid giving specific names to my paintings, I don’t want my vision to be imposed... Read more

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