Original artwork description:

The painting before us is a striking example of contemporary surrealism, infused with elements of futuristic design and atmospheric aesthetics. At the center of the composition stands a vibrant green armchair, shaped in an organic, almost extraterrestrial form. It serves not only as a focal point but also as a kind of character within the scene, surrounded by enigmatic architecture and a turquoise pool.

The space depicted is devoid of clear ties to reality: the boundaries between interior and exterior are blurred, and the architectural elements resemble futuristic stage sets. The color palette is vivid and pristine, almost neon-like: lush green, deep blue, aquamarine, and sterile white. These colors evoke a sense of unreality, of an artificial world governed by the logic of dreams.

The artist masterfully uses light and gradients to create a soft glowing effect—especially around the chair, as if it were sentient or endowed with special meaning. The water in the pool appears almost holographic, while the smooth architectural lines bring to mind the works of Zaha Hadid or motifs of space-age design.

The painting may be interpreted as a reflection on the future, on solitude in a technological world, or as an attempt to depict a utopian reality in which humans and their environment exist in perfect harmony. There are no people present, yet traces of human culture and domesticity remain—and it is precisely this that creates a subtle sense of detachment and meditative stillness.

Materials used:

oil on linen canvas

Tags: