Nearly Delphic is a simplification of the insignia of my college fraternity. The triangle was the principle element. For me the reference to my past was hard to ignore but once that phase passed I preferred to speak to the formal aspects of a triangle. After considerable experimentation, it seemed stacking one triangle on top of another presented the most intriguing possibilities. Stacking triangles provided exceedingly strong formal content, to be sure... but the stacking produced a byproduct of triangles within triangles. All in all... a classic configuration with power and presence.
All of my sculptures are made out of wood (Cedar). They are intended to be placed in an interior environment only. My sculptures are photographed outside. The exterior shots are important to give the viewer a more accurate sense of color and texture, as well perfectly balanced natural light.
I have always had an affinity for creating with wood. Over the years I've restored 10 properties. Several were historic. One is listed on the National Registry of Historic Structures. I've also built wooden boats. My career was dedicated to teaching studio art at three different colleges over a period of 44 years. I've exhibited in NYC, Washington D.C., Philadelphia, Florence Italy, Liverpool England, and numerous museums and galleries throughout the US. Creating challenging provocative work has been a life long goal. I consider myself a process artist. My that I mean... I enjoy all aspects making the work. After that I basically leave it in the hands of the gods.
Nearly Delphic is finished with three coats of steel impregnated paint, then sprayed with an activator... magically turning the surface in to a completely convincing appearance of rusted steel.
Nearly Delphic comes with a removable base. The bottom 18” of the sculpture easily slides into the slotted base. The base is shipped seperately.
cedar & faux steel paint
1 Artist Reviews
£4,881.56
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Nearly Delphic is a simplification of the insignia of my college fraternity. The triangle was the principle element. For me the reference to my past was hard to ignore but once that phase passed I preferred to speak to the formal aspects of a triangle. After considerable experimentation, it seemed stacking one triangle on top of another presented the most intriguing possibilities. Stacking triangles provided exceedingly strong formal content, to be sure... but the stacking produced a byproduct of triangles within triangles. All in all... a classic configuration with power and presence.
All of my sculptures are made out of wood (Cedar). They are intended to be placed in an interior environment only. My sculptures are photographed outside. The exterior shots are important to give the viewer a more accurate sense of color and texture, as well perfectly balanced natural light.
I have always had an affinity for creating with wood. Over the years I've restored 10 properties. Several were historic. One is listed on the National Registry of Historic Structures. I've also built wooden boats. My career was dedicated to teaching studio art at three different colleges over a period of 44 years. I've exhibited in NYC, Washington D.C., Philadelphia, Florence Italy, Liverpool England, and numerous museums and galleries throughout the US. Creating challenging provocative work has been a life long goal. I consider myself a process artist. My that I mean... I enjoy all aspects making the work. After that I basically leave it in the hands of the gods.
Nearly Delphic is finished with three coats of steel impregnated paint, then sprayed with an activator... magically turning the surface in to a completely convincing appearance of rusted steel.
Nearly Delphic comes with a removable base. The bottom 18” of the sculpture easily slides into the slotted base. The base is shipped seperately.
cedar & faux steel paint
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