Up in the mountains near Santa Fe; a little color starts to appear in March at the aspen and pine forest.
Another series of watercolors working to achieve a minimalist feel. In this case watercolor using quick strokes with a Japanese writing brush on rough watercolor paper. 7 1/2" x 11 1/2" image size with 16" x 20" mat, ready to frame.
The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow. As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site.
Open skies, storms coming in, sweeping vistas, mountains and grasslands all call for broad strokes and bold light and shadows. I strive for an economy of color and execution that can bring a landscape to life. If I can capture the shadows, forms, space at a given moment with the flow of line and color, then I can start to feel that I have succeeded. Working in such a quick, expressive manner can be like playing a jazz riff, improvising with the moment. I start with the basic composition, placing elements as needed, some planning on where I want light and shadow. Then I throw away the sketch, the photograph, look away from the reality and let the paint, the brush and the water flow.
watercolor on arches paper
7 Artist Reviews
£86.97
Loading
Up in the mountains near Santa Fe; a little color starts to appear in March at the aspen and pine forest.
Another series of watercolors working to achieve a minimalist feel. In this case watercolor using quick strokes with a Japanese writing brush on rough watercolor paper. 7 1/2" x 11 1/2" image size with 16" x 20" mat, ready to frame.
The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow. As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site.
Open skies, storms coming in, sweeping vistas, mountains and grasslands all call for broad strokes and bold light and shadows. I strive for an economy of color and execution that can bring a landscape to life. If I can capture the shadows, forms, space at a given moment with the flow of line and color, then I can start to feel that I have succeeded. Working in such a quick, expressive manner can be like playing a jazz riff, improvising with the moment. I start with the basic composition, placing elements as needed, some planning on where I want light and shadow. Then I throw away the sketch, the photograph, look away from the reality and let the paint, the brush and the water flow.
watercolor on arches paper
14 day money back guaranteeLearn more