from the series “Houses on the water”, oil on Canson paper (weight 290 g/mq), 50 x 37 cm, 2016.
When, in my holidays, I go to visit a seaside town or a river town, it often happens that I am involved into the classic tourist trip on the boat, or vessel. Such an experience, by definition, is a little superficial: the distance from the coast, the movement, the limited time, all these elements combined together make the perception confused. But at the same time, perhaps for the fact that the focus can not dwell deeply on anything specific, the end of this experience gives a reminder of the whole, that could reveal the spirit of that place. It 's true, the details are confused, the facades of the buildings overlap, we are no longer sure if the front of that palace was on the Grand Canal or the Giudecca, but probably at the end of the journey, that will remain our most intense memory of Venice.
I usually paint on stretched canvas, or fine art paper prepared for oil painting. Once ended, the painting is finished with a coat of varnish to protect against UV sunlight and dust. Also the sides of the canvases are painted, so they are ready to hang. My works are never sold rolled, but always packed flat. I put them between two sheets of acid-free paper with paper or cardboard protection for the corners, than closed in a plastic envelope and bubble packaging. The package is completed with stiffeners of polystyrene on both sides, and external layers of cardboard. All my artworks are unique original paintings, signed and provided of Certificate of Authenticity.
oil on paper
29 Artist Reviews
£332.09
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from the series “Houses on the water”, oil on Canson paper (weight 290 g/mq), 50 x 37 cm, 2016.
When, in my holidays, I go to visit a seaside town or a river town, it often happens that I am involved into the classic tourist trip on the boat, or vessel. Such an experience, by definition, is a little superficial: the distance from the coast, the movement, the limited time, all these elements combined together make the perception confused. But at the same time, perhaps for the fact that the focus can not dwell deeply on anything specific, the end of this experience gives a reminder of the whole, that could reveal the spirit of that place. It 's true, the details are confused, the facades of the buildings overlap, we are no longer sure if the front of that palace was on the Grand Canal or the Giudecca, but probably at the end of the journey, that will remain our most intense memory of Venice.
I usually paint on stretched canvas, or fine art paper prepared for oil painting. Once ended, the painting is finished with a coat of varnish to protect against UV sunlight and dust. Also the sides of the canvases are painted, so they are ready to hang. My works are never sold rolled, but always packed flat. I put them between two sheets of acid-free paper with paper or cardboard protection for the corners, than closed in a plastic envelope and bubble packaging. The package is completed with stiffeners of polystyrene on both sides, and external layers of cardboard. All my artworks are unique original paintings, signed and provided of Certificate of Authenticity.
oil on paper
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