Original artwork description:

Ten colours (representing biodiversity) repeated 26 times (representing iron - the highpoint of a star). Each has been poured onto a fixed undulating membrane state and left to dry.
– –
Membrane Art is an aesthetic thought that I have been evolving over the past twelve years. Starting with a loose (unstretched) membrane, the surface geometry plays a part in creating distinctive expressions and unfolding events. The curvatures re-enact the natural world (containing multidimensional values). However, the idea is only complete when the membrane is unravelled and the results are revealed on the 2D picture plane. This generates the human visual experience, a metaphor for how we view the world.

Materials used:

Oil paint on Belgian linen

Tags:
#oil painting #abstract art #abstract expressionism #oil on #abstract landscape #malcolm koch #membrane art #malcolmkoch #membraneart 

MA twenty six (2007)

Oil painting 
by Malcolm Koch

£15,813.58 Alert

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Original artwork description
Minus

Ten colours (representing biodiversity) repeated 26 times (representing iron - the highpoint of a star). Each has been poured onto a fixed undulating membrane state and left to dry.
– –
Membrane Art is an aesthetic thought that I have been evolving over the past twelve years. Starting with a loose (unstretched) membrane, the surface geometry plays a part in creating distinctive expressions and unfolding events. The curvatures re-enact the natural world (containing multidimensional values). However, the idea is only complete when the membrane is unravelled and the results are revealed on the 2D picture plane. This generates the human visual experience, a metaphor for how we view the world.

Materials used:

Oil paint on Belgian linen

Tags:
#oil painting #abstract art #abstract expressionism #oil on #abstract landscape #malcolm koch #membrane art #malcolmkoch #membraneart 
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Malcolm Koch

Location Australia

About
My curved 'canvases' are treated as three-dimensional objects. However, rather than approaching the relationship between solidity and space like a sculptor would, I aim to return to the "flat two-dimensional... Read more

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