Original artwork description:

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,
Smiles, tears, of all my life!—and, if God choose,
I shall but love thee better after death.

Sonnet 43 - How do I love thee? Let me count the ways
by Elizabeth Barrett Browning

The genesis for my paintings is born in a meditative state.
Paintings give joy and fills your life with bright colours.

This painting was born in a meditative state. It was as if a miracle happened to me.
It was painted as I reached into my feelings and painted only with them.
There is no plan or assumption what you get as an end result, there is only your vulnerable heart that is open in the stillness and reacts with a playful flight of colours.
I want to smile looking at this picture, bright and at the same time restrained.
The style is abstract impressionism where the form is not so important as the colour content.
I have said previously how colour can change a mood, which means it ca improve well-being.
Do not be afraid to add bright colours to your life.
Thanks to everyone who supports me, all your likes and comments are very important to me and I know that my work brings joy.
I have held more than 30 exhibitions around the world.

My true story is a lot like a fairy tale! Yes it is really a miracle!
I learnt how to paint in a series of dreams: After the loss of my parents, I experienced emotional distress and I received the gift of dreams as a means to receive information. In the dreams, I took a whole course of art painting: composition, perspective, aerial perspective, color, light and shade, texture. After only seven months my first solo exhibition was held in Sydney Australia.

Materials used:

canvas oil paints

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