'Inscenation 5.' is an acrylic painting on 400g gesso primed Fabriano acrylic paper.
A thin layer of varnish protects the artwork against UV light and dust.
Paper is a little ripple because of most of the many paint layers and water. When you apply multiple layers of paint or water to paper, the moisture can cause the paper to warp or ripple. This is because the fibers in the paper expand when they absorb water, and as the paper dries, it can shrink unevenly, leading to a rippled effect.
Unframed. Signed and titled on the back. This artwork IS NOT prepared for instant hanging.
As an abstract artist, I use perspective and geometric shapes to deconstruct scenes and reconstruct them into a personal visual language. My work combines forms, colors, patterns, textures, and materials to create visually rich and meaningful objects. I aim to produce art that is more suggestive than informative, leaving space for viewers to engage their imagination and interpret the work in their own way.
The colors sometimes vary on the computer monitors and may differ from the original version.
gesso, acrylic paints, acrylic inks, pencils
33 Artist Reviews
£390
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'Inscenation 5.' is an acrylic painting on 400g gesso primed Fabriano acrylic paper.
A thin layer of varnish protects the artwork against UV light and dust.
Paper is a little ripple because of most of the many paint layers and water. When you apply multiple layers of paint or water to paper, the moisture can cause the paper to warp or ripple. This is because the fibers in the paper expand when they absorb water, and as the paper dries, it can shrink unevenly, leading to a rippled effect.
Unframed. Signed and titled on the back. This artwork IS NOT prepared for instant hanging.
As an abstract artist, I use perspective and geometric shapes to deconstruct scenes and reconstruct them into a personal visual language. My work combines forms, colors, patterns, textures, and materials to create visually rich and meaningful objects. I aim to produce art that is more suggestive than informative, leaving space for viewers to engage their imagination and interpret the work in their own way.
The colors sometimes vary on the computer monitors and may differ from the original version.
gesso, acrylic paints, acrylic inks, pencils
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