acrylic colour on handmade thai mulberry paper, deckled edge, 21 x 31 in., 55 x 80 cm.
Traditional Indian dance, Odissi. I occasionally return to this fascinating subject.
This is the idea that got me wanting to get back into doing paintings of people. But other ‘people’ paintings came first, until I felt ready to work on this rather intense composition. The result is my interpretation of body language and movement .
Here I use is a traditional mulberry paper handmade in Thailand. It’s a thick parchment paper, strong yet pliable. I have the paper made to this size to get the deckled edges which adds to the textural effect.
Of course the paper which gives a thick textural effect, is also like a blotter paper. So water colour techniques don't work well here, at least not for me. For now I need the strong colours here, along with a generous dose of spills which works so nicely on this paper.
The close up picture is of higher resolution to be able to get a feel for the texture and brush strokes of the painting. Then there’s the work in progress, and taking the photo of the painting in outdoor natural light.
acrylic colour on handmade Thai mulberry paper (kada sa), deckled edge
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acrylic colour on handmade thai mulberry paper, deckled edge, 21 x 31 in., 55 x 80 cm.
Traditional Indian dance, Odissi. I occasionally return to this fascinating subject.
This is the idea that got me wanting to get back into doing paintings of people. But other ‘people’ paintings came first, until I felt ready to work on this rather intense composition. The result is my interpretation of body language and movement .
Here I use is a traditional mulberry paper handmade in Thailand. It’s a thick parchment paper, strong yet pliable. I have the paper made to this size to get the deckled edges which adds to the textural effect.
Of course the paper which gives a thick textural effect, is also like a blotter paper. So water colour techniques don't work well here, at least not for me. For now I need the strong colours here, along with a generous dose of spills which works so nicely on this paper.
The close up picture is of higher resolution to be able to get a feel for the texture and brush strokes of the painting. Then there’s the work in progress, and taking the photo of the painting in outdoor natural light.
acrylic colour on handmade Thai mulberry paper (kada sa), deckled edge
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