The palette is yellow-green, from emerald to chartreuse and from basil to pistachio. The complementary colour red contrasts beguilingly with its timid weave in the lower half of the painting, where it seems to seek shelter from the darker colours. Here in the dark part lies the tension. The grey poses a conflict that the viewer tries to resolve, like untying a knot with the eye alone. Finally, one must realize that conflict is not real conflict and tension is what makes life interesting and worth living.
Overall, a very balanced picture that is pleasant to look at.
oil paint
£3,801.81
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The palette is yellow-green, from emerald to chartreuse and from basil to pistachio. The complementary colour red contrasts beguilingly with its timid weave in the lower half of the painting, where it seems to seek shelter from the darker colours. Here in the dark part lies the tension. The grey poses a conflict that the viewer tries to resolve, like untying a knot with the eye alone. Finally, one must realize that conflict is not real conflict and tension is what makes life interesting and worth living.
Overall, a very balanced picture that is pleasant to look at.
oil paint
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