This piece is an interplay of light and colour that captures the transient beauty of nature. In expressive strokes, I've aimed to evoke the serene yet vibrant spirit of an enchanted forest where light filters through the glade from the distance. The blend of reds, amber and golden tones reflects depth and mystery beyond, crafting an emotional landscape that invites the observer to step into a world where there is narrative and tranquillity. It's a piece that breathes energy and wonder into any space.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on a deep edged canvas that does not need a frame. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife, harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies on the intersection between abstraction and realism. The painting continues round the sides, it is signed on the front and ready to hang.
Acrylic Paints on deep edge canvas
27 Artist Reviews
£1,795
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This piece is an interplay of light and colour that captures the transient beauty of nature. In expressive strokes, I've aimed to evoke the serene yet vibrant spirit of an enchanted forest where light filters through the glade from the distance. The blend of reds, amber and golden tones reflects depth and mystery beyond, crafting an emotional landscape that invites the observer to step into a world where there is narrative and tranquillity. It's a piece that breathes energy and wonder into any space.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on a deep edged canvas that does not need a frame. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife, harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies on the intersection between abstraction and realism. The painting continues round the sides, it is signed on the front and ready to hang.
Acrylic Paints on deep edge canvas
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