Artwork description:

Edition of 50, each signed and numbered in pencil in the margin. Print only, supplied rolled in a tube.

Hand-made etching print on 300gsm Hahnemühle Etching Paper, one of the finest papers in the World. Carbon black / linseed oil traditional etching ink, a pure, un-tinted, deep black. Paper has four deckle edges (hand-torn, rough but perfectly straight edges) signed in pencil, and numbered in the margin.

This was made by covering an aluminium plate with a greasy layer known as etching ground, which is baked at high temperature to solidify it into something like hardened wax. The design is then drawn through this ground using a sharply pointed scriber, a pen-like steel needle. The plate is then immersed in a corrosive solution which burns the design into the metal plate. Selective applications of corrosive solution give shading and tone. The metal plate is cleaned, to remove all traces of the printing ground, then inked, and rolled through an etching press in contact with dampened paper. The etching press exerts thousands of pounds pressure forcing the ink from the plate into the paper. You can see the impression of the printing plate "stamped" into the print.

Materials used:

paper, ink

Tags:
#abstract #black and #mountain #etching #rocks #modern #trees #impressionist #stark #striking #centrepiece #welsh artwork #welsh artists 

GOAT WILLOW (2021)

Etching / Engraving 
by Mark Lloyd Williams

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£65.3

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Artwork description
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Edition of 50, each signed and numbered in pencil in the margin. Print only, supplied rolled in a tube.

Hand-made etching print on 300gsm Hahnemühle Etching Paper, one of the finest papers in the World. Carbon black / linseed oil traditional etching ink, a pure, un-tinted, deep black. Paper has four deckle edges (hand-torn, rough but perfectly straight edges) signed in pencil, and numbered in the margin.

This was made by covering an aluminium plate with a greasy layer known as etching ground, which is baked at high temperature to solidify it into something like hardened wax. The design is then drawn through this ground using a sharply pointed scriber, a pen-like steel needle. The plate is then immersed in a corrosive solution which burns the design into the metal plate. Selective applications of corrosive solution give shading and tone. The metal plate is cleaned, to remove all traces of the printing ground, then inked, and rolled through an etching press in contact with dampened paper. The etching press exerts thousands of pounds pressure forcing the ink from the plate into the paper. You can see the impression of the printing plate "stamped" into the print.

Materials used:

paper, ink

Tags:
#abstract #black and #mountain #etching #rocks #modern #trees #impressionist #stark #striking #centrepiece #welsh artwork #welsh artists 
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Mark Lloyd Williams

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Location United Kingdom

About
Bit of an "outsider" based in a series of ex-industrial buildings in the fabulously beautiful harsh wilderness of rural Wales in the UK, surrounded by ancient castles, Druids, Bards and... Read more

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