Along with a new burst of creative energy, in " From other worlds" the diverse and heterogeneous manifestations of Nuria del Pino's work are linked, exceeding expectations and leading us to better understand the vitality of the most characteristic features of her painting, the versatility in her use of different languages and the expressiveness that she has achieved in the representation of her most recurrent motifs.
The musicality of the composition, its lightness and stained-glass luminosity, give the work a great lyrical touch, a choreography of lights that, like halos of eternity or cosmic spaces, gravitate on figures and images already glimpsed in the intuitive gaze of an artist who progresses naturally in her effort to validate the adequacy of the technique to the desire to triangulate universe and destiny.
Avoiding nostalgia but without fear of adventure, the artist has chosen methacrylate as a medium to express herself with masterly efficiency and generate a singular, contrasting, suggestive and emotional dialogue between the recent yesterday and her most immediate present. The observation of these two levels or disparate planes of expression gives rise to a contradictory feeling in which the tension ends up merging in the serene and spiritual emotion that guides the ideology of her artistic work.
Once again, Nuria Del Pino, an oneiric artist who invents the profound truth that hides behind the daily reality of the Fuerteventura landscape invites us to the authenticity of a collection of works that preserve life and the energy accumulated by the early doubt of the creative process and the importance of its final configuration.
Her painting is half sky, half mystery. It is the work of an artist who watches the sun go down from the volcano and tells us without a trace of sadness that the future is no longer what it was.
alcohol ink
£487.61
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Along with a new burst of creative energy, in " From other worlds" the diverse and heterogeneous manifestations of Nuria del Pino's work are linked, exceeding expectations and leading us to better understand the vitality of the most characteristic features of her painting, the versatility in her use of different languages and the expressiveness that she has achieved in the representation of her most recurrent motifs.
The musicality of the composition, its lightness and stained-glass luminosity, give the work a great lyrical touch, a choreography of lights that, like halos of eternity or cosmic spaces, gravitate on figures and images already glimpsed in the intuitive gaze of an artist who progresses naturally in her effort to validate the adequacy of the technique to the desire to triangulate universe and destiny.
Avoiding nostalgia but without fear of adventure, the artist has chosen methacrylate as a medium to express herself with masterly efficiency and generate a singular, contrasting, suggestive and emotional dialogue between the recent yesterday and her most immediate present. The observation of these two levels or disparate planes of expression gives rise to a contradictory feeling in which the tension ends up merging in the serene and spiritual emotion that guides the ideology of her artistic work.
Once again, Nuria Del Pino, an oneiric artist who invents the profound truth that hides behind the daily reality of the Fuerteventura landscape invites us to the authenticity of a collection of works that preserve life and the energy accumulated by the early doubt of the creative process and the importance of its final configuration.
Her painting is half sky, half mystery. It is the work of an artist who watches the sun go down from the volcano and tells us without a trace of sadness that the future is no longer what it was.
alcohol ink
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