The Navajo Indians are known as the best construction workers without fear of heights.
The Navajo Nation is the second largest federally recognized tribe in the U.S. (the Cherokee Nation being the largest), and has the largest reservation in the country. The reservation straddles the Four Corners region and covers more than 27,000 square miles of land in Arizona, Utah, and New Mexico.
I assemble original photography, assorted papers, acrylics, oil, charcoal, ink, and pencil in my works. The variety of resources I am able to use has proved indispensable to me. Having always loved the appearance of weathered walls plastered with peeling paint and old posters, I revive this aesthetic with hopefully a keen and professional eye. The creative objective of my work is to “make something beautiful out of dilapidation.” My tableaus explore the dissonance between old and new materials, intertwined in the most beautiful way possible to create dreamlike and melancholy images.
The artwork is a combination of a collage and a painting, like most of my artworks.
The work is made on a canvas and placed in a black with silver frame.
canvas, paper, paint, glue, varnish,
13 Artist Reviews
£1,254.57 Sold
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The Navajo Indians are known as the best construction workers without fear of heights.
The Navajo Nation is the second largest federally recognized tribe in the U.S. (the Cherokee Nation being the largest), and has the largest reservation in the country. The reservation straddles the Four Corners region and covers more than 27,000 square miles of land in Arizona, Utah, and New Mexico.
I assemble original photography, assorted papers, acrylics, oil, charcoal, ink, and pencil in my works. The variety of resources I am able to use has proved indispensable to me. Having always loved the appearance of weathered walls plastered with peeling paint and old posters, I revive this aesthetic with hopefully a keen and professional eye. The creative objective of my work is to “make something beautiful out of dilapidation.” My tableaus explore the dissonance between old and new materials, intertwined in the most beautiful way possible to create dreamlike and melancholy images.
The artwork is a combination of a collage and a painting, like most of my artworks.
The work is made on a canvas and placed in a black with silver frame.
canvas, paper, paint, glue, varnish,
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