‘Forms 12.2’ tunes into the expressive, visual forms of the twentieth century’s most contentious architectural constructions: the concrete kind. Semi-abstracted photographs of building facades and drive-ways (vintage car included) intersect with shards of pattern and abstract swathes of pigment, in a 1960s palette of indigo and mustard yellow, for a beautiful homage to the Brutalist dream.
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‘Forms 12.2’ tunes into the expressive, visual forms of the twentieth century’s most contentious architectural constructions: the concrete kind. Semi-abstracted photographs of building facades and drive-ways (vintage car included) intersect with shards of pattern and abstract swathes of pigment, in a 1960s palette of indigo and mustard yellow, for a beautiful homage to the Brutalist dream.
ink
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