Original artwork description:

I painted this quickly, and let the paint flow in the initial wash, allowing it to drip and do what paint does. The initial wash worked so well I left the rest of the canvas blank, save for the nude. When I paint, I want the paint to 'speak' for itself; how it flows, how it mixes, what is overlaid with what. The way the paint is applied is almost as important as the image. I use colour to get a 3D effect, and the lighting of the nude is crucially important to give atmosphere.

Materials used:

oil

Tags:
#nude #oil on canvas #gestural #nudes #figure painting 
Featured by our Editors:

Emily - sitting (2012) Painting
by Tin Odescalchi

£4,000

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Original artwork description
Minus

I painted this quickly, and let the paint flow in the initial wash, allowing it to drip and do what paint does. The initial wash worked so well I left the rest of the canvas blank, save for the nude. When I paint, I want the paint to 'speak' for itself; how it flows, how it mixes, what is overlaid with what. The way the paint is applied is almost as important as the image. I use colour to get a 3D effect, and the lighting of the nude is crucially important to give atmosphere.

Materials used:

oil

Tags:
#nude #oil on canvas #gestural #nudes #figure painting 
Featured by our Editors:
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Tin Odescalchi

Location United Kingdom

About
Tin trained at the Gloucestershire College of Art and at the Akademie den Bildenden Kunst in Vienna under Rudolph Hausner. Initially a successful equestrian artist, Tin then concentrated on... Read more

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