"The work flirts with beauty without falling into its trap. Those blues and teals could easily become too seductive, too easy on the eyes, but then there are these disruptive moments—spatters, interruptions, places where the spiral breaks down—that keep it from becoming eye candy. It's got tension, and tension is what keeps us looking.
The gray background? Smart move. It's like the neutral stage for this chromatic performance. Without it, this whole thing could become too indulgent, too much of a good thing. The restraint shows the artist knows when to pull back."
Acrylic paint, watercolor, pigments
£1,245.38
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"The work flirts with beauty without falling into its trap. Those blues and teals could easily become too seductive, too easy on the eyes, but then there are these disruptive moments—spatters, interruptions, places where the spiral breaks down—that keep it from becoming eye candy. It's got tension, and tension is what keeps us looking.
The gray background? Smart move. It's like the neutral stage for this chromatic performance. Without it, this whole thing could become too indulgent, too much of a good thing. The restraint shows the artist knows when to pull back."
Acrylic paint, watercolor, pigments
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