Artwork description:

"Dreamscapes. Beyond,” a macro photograph by Inna Etuvgi, captures the delicate beauty of morning dew on grass illuminated by the early sunlight.

As an artist living with Aphantasia, Etuvgi does not visualize dreams or memories as images but understands them as concepts and emotions. This condition shapes her unique perspective, allowing her to capture moments that transcend ordinary visual experiences. This photograph invites viewers to look beyond the surface, discovering in nature a reflection of our inner selves and the intricate web of our identities.

“This photograph was born from a state of deep contemplation, as I found myself captivated by the sunlight's dance upon the dew. Seeking to capture this enchanting moment, I discovered that my camera could act as a bridge to a world that transcends the visual limitations of my mind. Through the lens, the dewdrop becomes more than a mere reflection; it embodies the 'me-idea' — my essence floating within an abstract landscape of thoughts and feelings. The camera, thus, becomes an extension of my consciousness, enabling me to visualize and step beyond the boundaries of Aphantasia”.


PRINT INFORMATION:


Gicleè print on Canson Fine Art paper + COA

Installed in Ph-neutral passpartout 40x30 cm + backing, ready for framing
Image size 28x21cm

Signed, numbered and printed by the author

Limited edition 25





ABOUT THE AUTHOR:



Inna Etuvgi, hailing from Russia's Arctic shores, brings her technical background to light as a Swedish art photographer. Her artistic journey began in 2020, and in 2022, she gained recognition as a finalist in the Arte Laguna Prize 16. In 2023, she received an honour from the Swedish Arts Grants Committee. Etuvgi’s works are featured in “Photography in the Visual Culture” 22/23 book.

Navigating life with Aphantasia, Inna's mind doesn't visualise, but it pulsates with vivid concepts, emotions, and sensations. She uses her camera not merely to explore the world but to externalise her unique mental landscapes, making them visible.

Art critic Tabish Khan says about Inna’s art: “her work is about transporting us to other worlds - both real and imaginary, but always in harmony with nature. She may have a mind blind to visualisation, but she has eyes and a camera that capture the beauty in the worlds that the rest of us often overlook and take for granted.”

Materials used:

fine-art paper from Hahnemuhle, archival pigment inks

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