Artwork description:

90cm x 60cm (35.4 x 23.6 inch) , from limited edition of 7 plus 2AP


From the series that gained multiple international awards.
2020 - 2nd Place Winner, Lollipop Series, IPA Awards, Digitally enhanced

2020 -1st Place Winner Single image, 'The Smuggler of Happiness', The 15th Pollux Awards, Digital manipulation & collage

2020 - Honorable mention, The 15th Pollux Awards, 'The Tree House', Digital manipulation & collage

2020 - Honorable mention , The 15th Pollux Awards, 'Green Tendencies', Digital manipulation & collage

2020 - BBA Gallery Berlin, Photography contest, Longlisted

2020 - PX3 - Honorable mention, Professional, Fine Art, Digitally enhanced

2020 - Nominee, FAPA FineArt Photography Awards, Professional

2019 - Gold medal, ND Awards, Professional fine art

2019 - BIFA AWARDS, Honorable mention, Collage professional

2019 - IPA AWARDS, Honorable mention, Special PRO

2019 - Finalist, Donggang festival

2019 – Bronze winner, FAPA FineArt Photography Awards, Finart, PRO

A story about love that is not meant to be..but somehow still found the way.
About the beginning..or the end..


Inspired by my childhood dreams and further encouraged with my lifelong love for nature and animals, I wanted to create worlds where animals exist as equal characters, as narrators of a modern fairy tale, who share with us the same environment.
By creating peaceful, strange and even humorous situations and twisted animal habitat sceneries which exist somewhere between material world and imagination I want to share my dreamscapes and visions, and offer a visual escape from harsh and often cruel reality.

My works are complex photo collage from photos I've taken over the course of 15 years. It is a long process of combining carefully selected photographs and illustrated parts, which are then transferred to computer and digitally painted.



"I am inspired by my surroundings and I see potential in various everyday things and relations, people, nature, architecture, even food. I see them sometimes as fragments of my work. Most of times they stay just that, fragments, and sometimes they become unified into a whole and therefore start to exist as a part of my sceneries.
By using real life photographs and textures I give my work a feel of realism, although the themes are far from being realistic…"

Giclée on Hahnemühle mould-made, museum quality, acid free paper, printed with white border.
Each print is signed, numbered, and accompanied with a signed Certificate of Authenticity and serial number, using secure holographic identification. Prints are sent unframed.



Feel free to contact the artist or support if you need any works not seen in gallery.


All quoted dimensions represent the actual printed image size, not the paper size.

Materials used:

archival inks and paper

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